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Sources et documents de l’histoire du rap à Gaza

مصادر ووثائق تاريخ الراب في غزة

Jean-François Legrain

Bibliographie générale sur le hip-hop et le hip-hop en Palestine

Abbas, Basel, An Analysis of Arabic hip-hop, Final dissertation, Londres, SAE, 2005, 67 p. (http://pdfcast.org/download/an-analysis-of-arabic-hip-hop.pdf).

Abdel-Alim, Hesham Samy, "Hip hop Islam", Al-Ahram Weekly, 7-13 juillet 2005 (http://weekly.ahram.org.eg/2005/750/feature.htm).

Aidi, Hishaam, "Leveraging hip hop in US foreign policy. Diplomats and officials use the music of the oppressed to connect with disaffected Muslim youth", al-Jazeera, 7 novembre 2011 (http://www.aljazeera.com/indepth/opinion/2011/10/2011103091018299924.html) et "The Grand (hip-hop) Chessboard. Race, Rap and Raison d'Etat", MERIP, n° 260/41, automne 2011, p. 25-39 (http://columbia.academia.edu/HishaamAidi/Papers/908662/_Race_Rap_and_Raison_dEtat_MERIP_Fall_2011).

Al-Taee, Nasser, "Voices of Peace and the Legacy of Reconciliation: Popular Music, Nationalism, and the Quest for Peace in the Middle East", Popular Music, Vol. 21, No. 1 (Jan., 2002), p. 41-61 (http://www.jstor.org/pss/853586).

Andersen, Jane Louise, "Transgressing Borders with Palestinian hip-hop", in Palestinian Music and Song. Expression and Resistance since 1900, Moslih Kanaaneh, Stig-Magnus Thorsen, Heather Bursheh et David A. McDonald (Eds.), Bloomington & Indianapolis, Indiana University Press, 2013., p. 82-96.

Anonyme, 'Find your own voice and use it, Use your own voice and find it.’, Alternative Resistance - The role of hip-hop in Palestinian youth culture, the pursuit of self-determined statehood and resistance to Israeli occupation, Sd., 42 p. (http://fr.scribd.com/doc/115324356/Alternative-Resistance-%E2%80%98Find-your-own-voice-and-use-it-Use-your-own-voice-and-find-it-%E2%80%99).

Bazin, Hugues et Bornaz, Naïm et Slimani, Mehdi, "Quels enjeux pour un art et une culture populaires en France ?", Cahiers de recherche sociologique, n° 49, 2010, p. 123-145 (http://id.erudit.org/iderudit/1001414ar) (numéro consacré aux "Dilemmes hip-hop" sous la direction de Marie Nathalie LeBlanc (http://id.erudit.org/iderudit/1001410ar).

Becker, Cameron, "Palestinian Society and Popular Culture : The Interconnectivity of Music and Struggle for a Palestinian National Home", Orient (University of Toronto), 2011, p. 94-99 (http://groups.chass.utoronto.ca/nmcsu/OrientJournal_2011.pdf).

Belkind, Nili, Music in Conflict: Palestine, Israel, and the Politics of Aesthetic Production, PhD Graduate School of Arts and Sciences, Columbia University, 2014, 411 p. (https://academiccommons.columbia.edu/doi/10.7916/D8QN64WP).

Chang, Jeff, "It's a hip-hop World", Foreign Policy, No. 163, novembre-décembre 2007, p. 58-65 (http://www.jstor.org/stable/25462232?origin=JSTOR-pdf).

DeGarmo, Denise et Wrobbel, E. Duff, “Liberation hip-hop: Palestinian hip-hop and Peaceful Resistance” in The Organic Globalizer: Hip Hop, Political Development, and Movement Culture, Chris Malone et Martinez Jr., George (Eds.), Londres, Bloomsbury Academic, 2014, p. 111-128.

Diallo, David, "La musique rap comme forme de résistance ?", Revue de recherche en civilisation américaine, 1/2009 (http://journals.openedition.org/rrca/80).

Djerrahian, Gabriella, "Éléments d’une négritude mondialisée : le hip-hop et la conscience raciale chez de jeunes Israéliens d’origine éthiopienne", Cahiers de recherche sociologique, n° 49, 2010, p. 18-45 (numéro consacré aux "Dilemmes hip-hop" sous la direction de Marie Nathalie LeBlanc (http://id.erudit.org/iderudit/1001410ar).

Dotson-Renta, Lara N, "Hip Hop & Diaspora: Connecting the Arab Spring", arabmediasociety, 2011, 4 p. (http://www.arabmediasociety.com/articles/downloads/20110531125400_Dotson-Renta.pdf).

El-Sabawi, Taleed, "Palestinian Conflict Bounces to a New Beat", Scribe (University of Southern California), 18 octobre 2007 (http://angelingo.usc.edu/index.php/humanities/palestinian-conflict-bounces-to-a-new-beat/).

El Sakka, Abaher, "Revendication identitaire et représentations sociales : émergence d'un nouveau mode d'expression artistique de groupes de jeunes Palestiniens", Cahiers de recherche sociologique, n° 49, 2010, p. 47-62 (numéro consacré aux "Dilemmes hip-hop" sous la direction de Marie Nathalie LeBlanc (http://id.erudit.org/iderudit/1001411ar).

El Zein, Rayya, Performing El Rap El 'Arabi 2005-2015: Feeling politics amid neoliberal incursions in Ramallah, Amman, and Beirut, PhD, City University of New York, 2016, 483 p.

El Zein, Rayya, "From ‘Hip Hop Revolutionaries’ to ‘Terrorist- Thugs’: ‘Blackwashing’ between the Arab Spring and the War on Terror", Lateral, 5/1, printemps 2016 (http://csalateral.org/issue/5-1/hip-hop-blackwashing-el-zein/).

El Zein, Rayya, "Call and Response, Radical Belonging, and Arabic Hip Hop in 'the West'" in American Studies Encounters the Middle East, Alex Lubin et Marwan M. Kraidy (Eds.), University Press Scholarship Online, 2017, p. 106-135 (http://www.academia.edu/28526938/Call_and_Response_Radical_Belonging_and_Arabic_Hip_Hop_in_the_West).

El Zein, Rayya, "Resisting 'Resistance': On Political Feeling in Arabic Rap Concerts", in Arab Subcultures: Transformations in Theory and Practice, Tarik Sabry, et Layal Ftouni (Eds.), Londres, New-York, I. B. Tauris & Co, p. 87-112 (https://www.academia.edu/32713906/Resisting_Resistance_On_Political_Feeling_in_Arabic_Rap_Concerts).

Filiu, Jean-Pierre, "Comment le rap a annoncé le printemps arabe", Libération, 1er août 2011 (http://next.liberation.fr/monde/01012351997-comment-le-rap-a-annonce-le-printemps-arabe).

Gana, Nouri, "Rap Rage Revolt", Jadaliyya, 5 août 2011 (http://www.jadaliyya.com/pages/index/2320/rap-rage-revolt).

Gonzalez-Quijano, Yves, "Le chant des pierres : le rap palestinien", Blog "Culture et politique arabes", 10 décembre 2006, (http://cpa.hypotheses.org/174) et "Le rap palestinien (2) : une soirée à Ramallah", 16 décembre 2006 (http://cpa.hypotheses.org/175).

Gonzalez-Quijano, Yves, "3ASH IL SHA3B AL 7A9ED 7URR (rap et révolution 1/3)", Blog "Culture et politique arabes", 15 janvier 2012 (http://cpa.hypotheses.org/3228), "L’islam politique n’est pas soluble dans le rap ! (rap et révolution 2/3)", Ibid., 23 janvier 2012 (http://cpa.hypotheses.org/3237), "Le rap ikhwangi, une modernité 'à l’authentique' ? (rap et révolution, 3/3)" Ibid., 30 janvier 2012 (http://cpa.hypotheses.org/3250).

Greenberg, Ela, "'The King of the Streets': Hip Hop and the Reclaiming of Masculinity in Jerusalem's Shu'afat Refugee Camp", Middle East Journal of Culture and Communication, 2/2, 2009, p. 231- 250 (version gratuite sur Ibraaz) (https://www.ibraaz.org/essays/14/).

Halverson, Jeffry, "Rap is Da Bomb for Defeating Abu Yahya", COMOPS (Consortium for Strategic Communication -CSC, Arizona State Univ.), 14 septembre 2009 (http://csc.asu.edu/2009/09/14/rap-is-da-bomb-for-defeating-abu-yahya/).

Heim, Karin, "Beats Not Bombs: hip-hop To Create Peace In the Israeli-Palestinian Conflict", Nota Bene: Canadian
Undergraduate Journal of Musicology, 4/2, 2012, p. 19-32 (https://ir.lib.uwo.ca/notabene/vol4/iss2/5/) [à propos de DAM et SAZ].

Kahf, Usama, "Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre", Journal of Popular Music Studies, XIX/4, décembre 2007, p.359-385 (http://onlinelibrary.wiley.com/doi/10.1111/j.1533-1598.2007.00133.x/pdf).

Karkabi, Nadeem, "Staging Particular Difference: Politics of Space in the Palestinian Alternative Music Scene", Middle East Journal of Culture and Communication, 6/3, 2013, p. 308-328 (https://www.academia.edu/...).

Korat, Yael, "Israeli hip-hop as a Democratic Platform: Zionism, Anti- Zionism and Post-Zionism", Anamesa (New-York University), 5/1, printemps 2007, p. 43-58 (http://www.nyu.edu/pubs/anamesa/archive/spring_2007_democracy/Korat.pdf).

Laborio Sociale, "Il Rap palestinese – Intifada in musica" (https://www.labsociale.it/2010/03/il-rap-palestinese-intifada-in-musica/), 24 mars 2010.

LeBlanc, Marie Nathalie, "Entre résistance et commercialisation : à la recherche du renouveau politique", présentation du numéro consacré aux "Dilemmes hip-hop" sous sa direction, Cahiers de recherche sociologique, n° 49, 2010, p. 5-15 (http://id.erudit.org/iderudit/1001409ar).

LeVine, Mark, Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam, Three Rivers Press, 2008 (http://heavymetalislam.net/, en ligne illégalement pour la partie israël-Palestine sur http://musiccultures.files.wordpress.com/2011/11/hmi-04-palestine-israel.pdf). Voir le site internet de l'ouvrage (http://www.meaning.org/hmi_index.html).

LeVine, Mark, "Palestinian youth and the healing arts", al-Jazeera, 23 juin 2011 (http://www.aljazeera.com/indepth/opinion/2011/06/201162110840143444.html).

LeVine, Mark, "The New Hybridities of Arab Musical Intifadas", Jadaliyya, 29 octobre 2011 (http://www.jadaliyya.com/pages/index/3008/the-new-hybridities-of-arab-musical-intifadas).

Lovatt, Hugh, Palestinian hip-hop Culture and Rap Music : Cultural Resistance as an Alternative to Armed Struggle, BA Arabic, Institute of Arabic and Islamic Studies Exeter University, March 2009, 56 p. (http://cedep.academia.edu/HughLovatt/Papers/972541/Palestinian_hip-hop_Culture_and_Rap_Music).

Lovatt, Hugh, "Music and Resistance in the Middle East", 2010, 12 p. (http://academia.edu/attachments/5712981/download_file).

Lovatt, Hugh, "Transnational Musics and Cultural Authenticity: Between Global Beats and Local Sounds", argument d'un cours donné sous l'étiquette "Culture and Society of the Near and Middle East" à la School of Oriental and African Studies, 2010, 16 p. (http://academia.edu/attachments/5712981/download_file).

Maira, Sunaina, "‘We Ain’t Missing’ Palestinian Hip Hop – A Transnational Youth Movement", The New Centennial Review, VIII/2, automne 2008, p. 161-192 (http://www.docstoc.com/docs/41215595/We-Aint-Missing-Palestinian-hip-hop-A-Transnational-Youth-Movement) [analyse à partir de DAM principalement].

Maira, Sunaina et Shihade, Magid, "Palestinian Hip Hop: Youth, Identity, and Nation", Orient (Deutsche Orient-Stiftung), n° 51, III, 2010, p. 26-35 (http://www.deutsches-orient-institut.de/component/option,com_docman/task,doc_download/gid,82/lang,en/) [analyse à partir de DAM principalement].

Maira, Sunaina et Shihade, Magid, "Hip Hop from ’48 Palestine. Youth, Music, and the Present/Absent", Social Text, n° 112, XXX/3, automne 2012, p. 1-26 (http://academia.edu/attachments/31285313/download_file).

Maira, Sunaina, Jil Oslo. Palestinian Hip Hop, Youth Culture, and the Youth Movement, Washington DC, Tadween Publishing, 2013, 200 p.

Manca, Sara, Resistenza in Rime. Le Voci del Rap Palestinese e la Protesta in Musica, prova finale de laurea, Università Ca' Foscari Venezia, 2012, 196 p. (http://dspace.unive.it/handle/10579/2141).

Mazzucotelli, Francesco, "Rapping Revolution and Revolt: Hip Hop From the Edge of Lebanon", BRISMES Annual Conference 2012, Revolution and Revolt: Understanding the Forms and Causes of Change, 26-28 March 2012, London School of Economics and Political Science (http://brismes2012.files.wordpress.com/2012/03/francesco-mazzucotelli-hip-hop-from-the-edge-of-lebanon.pdf).

Massad, Joseph, "Liberating Songs: Palestine Put to Music", Journal of Palestine Studies, Vol. 32, No. 3, printemps 2003, p. 21-38. Une version antérieure et plus courte a été publiée in Palestine, Israel, and the Politics of Popular Culture, Rebecca L. Strin & Ted Swedenburg, Durham, Duke University Press, 2005, p. 175-201.

MBaye, Jenny, "AURA ou de la production politique de la musique hip-hop", Cahiers de recherche sociologique, n° 49, 2010, p. 147-160 (http://id.erudit.org/iderudit/1001415ar).

McConnell, Jesse, ‘Find your own voice and use it, Use your own voice and find it.’ Alternative Resistance - The role of hip-hop in Palestinian youth culture, the pursuit of selfdetermined statehood and resistance to Israeli occupation, MA Arabic, Sl., Sd., 42 p. (http://www.jessemcconnell.co.uk/research/Dissertation.pdf).

McDonald, David A, "Carrying Words Like Weapons: hip-hop and the Poetics of Palestinian Identities in Israel", Israel Studies in Musicology Online, 7/2, 2008, p. 116-130 (https://www.biu.ac.il/hu/mu/min-ad/8-9-II/07_McDonald_Carrying-Words.pdf).

McDonald, David A, My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance, PHD, University of Illinois at Urbana-Champaign, 2006 (http://www.worldcat.org/...) et Duke University press, 2013, 338 p.

McDonald, David A, "Imaginaries of Exile and Emergence in Israeli Jewish and Palestinian Hip Hop", The Drama Review: A Journal of Performance Studies (TDRev), 57/3 (t. 219), automne 2013, p. 69-87.

McDonald, David A, "Performing Palestine: Resisting the Occupation and Reviving Jerusalem’s Social and Cultural Identity through Music and the Arts",

Miliani, Hadj, Sociétaires de l’émotion. Etudes sur les chants et musiques d’Algérie d’hier et d’aujourd’hui, Oran, Dar El Gharb, 2005.

Motyl, Katharina, Born Palestinian, Born Black – Hip Hop as a Means of Criticism of Palestinian Marginalization in Suheir Hammad’s breaking poems, Colloque "Intersections: A Conversation Between African American and Asian American Studies", University of Pennsylvania, novembre 2011, 10 p. (https://www.english.upenn.edu/sites/www.english.upenn.edu/files/intersections-motyl-breaking_poems.pdf).

Natour, Munty, "Palestinian hip-hop: Narrative Functions and Articulations of Resistance", Juhood (Duke University's Journal of Middle Eastern and North African Affairs), II/1, 2012, p. 12-21 (http://issuu.com/juhood/docs/juhood2) [analyse à partir de DAM principalement].

Niang, Abdoulaye, "Hip-hop, musique et Islam : le rap prédicateur au Sénégal", Cahiers de recherche sociologique, n° 49, 2010, p. 63-94 (http://id.erudit.org/iderudit/1001412ar).

Orr, Yuval, "Legitimating Narratives in Rhyme: hip-hop and National Identity in Israel and Palestine", Undergraduate Mellon Research Fellowship, University of Pennsylvania, 2011, 67 p. (http://repository.upenn.edu/uhf_2011/8).

Palestinian Music and Song. Expression and Resistance since 1900, Moslih Kanaaneh, Stig-Magnus Thorsen, Heather Bursheh et David A. McDonald (Eds.), Bloomington & Indianapolis, Indiana University Press, 2013, 216 p.

Pavard, Amélie, "Les réfugiés du rap : le cas du rap palestinien en Syrie", conférence donnée dans le cadre de la journée d'étude de l'université de Strasbourg, "Subculture musicale : La musique pratiquée aux marges", 18 et 19 mars 2011 (http://www.radioenconstruction.com/index.php?post/2011/03/29/Subculture-musicale-%3A-La-musique-pratiqu%C3%A9e-aux-marges-//-1).

Pluralism Project at Harvard University, "American Muslim Music", 2007 (http://www.pluralism.org/reports/view/27).

Puig, Nicolas, "Bienvenue dans les camps ! L’émergence d’un rap palestinien au Liban : une nouvelle chanson sociale et politique", in Itinéraires esthétiques et scènes culturelles au Proche-Orient, Puig, N. et Mermier, F. (dirs), Beyrouth, IFPO, 2007, p. 147-171 (draft in http://hal.archives-ouvertes.fr/docs/00/39/64/57/PDF/RAP_PALESTINIEN.pdf) (et "Welcome to the Camps. The Emergence of Palestinian Rap in Lebanon, a New Social and Political Song", in Manifestations of Identity, The Lived Reality of Palestinian Refugees in Lebanon, Puig, N. et Mermier, F. (dirs), Beyrouth, Institute for Palestine Studies, IFPO, 2010, p. 109-124).

Puig, Nicolas, "Entre villes et camps : musiciens palestiniens au Liban", in Autrepart, "La ville face à ses marges", Armand Colin/IRD, 2008, p. 45, 59-71.

Puig, Nicolas, "Le monde entier dans un seul instrument, Itinéraires hors les camps d’artistes Palestiniens au Liban", in "Palestiniens en/hors camps ; Formes sociales, pratiques des interstices", Asylon(s), K. Doraï et N. Puig, (eds), réseau scientifique TERRA (Travaux, Etudes, Recherches sur les Réfugiés et l’Asile), 2008 (http://terra.rezo.net/article803.html).

Puig, Nicolas, "Exils décalés. Les registres de la nostalgie dans les musiques palestiniennes au Liban", in Revue Européenne des Migrations Internationales, Créations en Migration Parcours, déplacements, racinements, sous la direction de Marco Martiniello, Nicolas Puig et Gilles Suzanne, Vol. 25 n°2, 2009, p. 83-100 (http://www.documentation.ird.fr/hor/fdi:010048585).

Puig, Nicolas, "La cause du rap", Cahiers d’ethnomusicologie, 25/2012 (http://journals.openedition.org/ethnomusicologie/1884).

Puig, Nicolas, "'L’instinct du rap' : Le rap palestinien, contenus politiques et explorations artistiques", in Jeunesses arabes. Du Maroc au Yémen, loisirs, cultures et politiques, Laurent Bonnefoy et Myriam Catusse (Eds.), Paris, La Découverte, 2013, p. 337-341 (https://hal.archives-ouvertes.fr/hal-01492055/document).

Puig, Nicolas, "‘Composer avec’ : Sampling et références sonores dans le travail d’un artiste palestinien au Liban", Volume !, 14/1, 2017, p. 37-49 (http://journals.openedition.org/volume/5343).

Rangitsch, Spencer, Tracing Symbolic Discourses of Steadfastness and Resistance. Collective Memory, Social Practice and Palestinian (Trans)Nationalism, MA, Central European University, Budapest, 2007, 96 p. (http://www.etd.ceu.hu/2007/rangitsch_spencer.pdf).

Rooney, Caroline, "Arab Hip Hop in an International Frame", Orient (Deutsche Orient-Stiftung), n° 51, III, 2010, p. 17-25 (http://www.deutsches-orient-institut.de/component/option,com_docman/task,doc_download/gid,82/lang,en/) [avec DAM pour principal exemple].

Rooney, Caroline, "Activism and Authenticity. Palestinian and Related Hip Hop in an International Frame", in The Arab Avant-Garde: Music, Politics, Modernity, Thomas Burkhalter, Kay Dickinson, Benjamin J. Harbert (Eds.), Middletown (CN), Wesleyan University Press, 2013, p. 209-228.

Rooney, Caroline, " Music Sans Frontières? Documentaries on Hip Hop in the Holy Land and DIY Democracy", in Popular Culture in the Middle East and North Africa: A Postcolonial Outlook, Walid El Hamamsy et Mounira Soliman (Eds.), New York & Londres, Routledge, 2013, p. 33-44.

Saleh, Ruba et Richter-Devroe, Sophie, "Cultures of Resistance in Palestine and Beyond: The Politics of Art, Aesthetics, and Affect", Arab Studies Journal, printemps, 2014, p. 8-27 (http://eprints.soas.ac.uk/19081/1/CulturesofResistanceprintout.pdf).

Schept, Judah, “'I Broke the Law? No the Law Broke Me:' Palestinian hip-hop and the. Semiotics of Occupation", in Popular Culture, Crime and Social Control, Mathieu Deflem (Ed.), Emerald Group Publishing Limited, Sociology of Crime, Law and Deviance, Volume 14, 2010, p. 91-119 [Etude consacrée à DAM et Iron Sheik].

Schneider, Cynthia P. et Nelson, Kristina, Mightier than the Sword : Arts and Culture in the U.S.-Muslim World Relationship, The Brookings Project on U.S. Relations wi th the Islamic World, juin 2008, 68 p. (http://www.brookings.edu/~/media/Files/rc/papers/2008/06_islamic_world_schneider/06_islamic_world_schneider.ashx).

Sieradski, Dan (b.k.a Mobius), "Hip Hop in Israel & Palestine", interview en 4 parties, Brooklyn (NY), mai 2009 (enregistrements et transcription : http://www.davidsheen.com/amoria/hiphop.htm) (http://www.youtube.com/watch?v=ruC-y6Hx7uM, http://www.youtube.com/watch?v=Yhpn8BL988k&feature=related, http://www.youtube.com/watch?v=jQ0LX2gOCP8&feature=related et http://www.youtube.com/watch?v=fPGz6_djsX8&feature=related).

Swedenburg, Ted, "Imagined Youths", Middle East Report, No. 245, The Politics of Youth, hiver 2007, p. 4-11 (http://www.jstor.org/stable/25164815?origin=JSTOR-pdf).

Swedenburg, Ted, "hip-hop of the Revolution (The Sharif Don't Like It)", MERIP, 11 janvier 2012 (http://www.merip.org/hip-hop-revolution-sharif-dont-it).

Swedenburg, Ted, "Palestinian Rap: Against the Struggle Paradigm", in Popular Culture in the Middle East and North Africa: A Postcolonial Outlook, Walid El Hamamsy et Mounira Soliman (Eds.), New York & Londres,Routledge 2012, p. 17-32.

Tawil-Souri, Helga, "Where is the political in cultural studies? In Palestine", International Journal of Cultural Studies, 14(5), 2011, p. 467-482 (http://ics.sagepub.com/content/14/5/467.full.pdf+html).

Tawil-Souri, Helga, "The Necessary Politics of Palestinian Cultural Studies", in Sabri, Tarik (ed.), Arab Cultural Studies: Mapping the Field, I.B. Tauris, 2011, p. 137-161 (http://academia.edu/attachments/6982671/download_file).

van Kalkeren, Sinsia, The soundtrack of who we are Performing identities in Palestinian hip hop – A case study, BA Arabic and Islamic Studies, université d'Utrecht, 22 juillet 2011, 85 p. (http://igitur-archive.library.uu.nl/student-theses/2011-0805-200734/The soundtrack of who we are.pdf) [mémoire consacré à DAM].

Wright, Robin, Rock the Casbah: Rage and Rebellion Across the Islamic World, S & S International, 2011.

Quelques articles sur certains groupes ou événements

Almeghari, Rami, "Authors of Gaza Youth Manifesto Speak to the Electronic Intifada", The Electronic Intifada, 18 janvier 2011 (http://electronicintifada.net/content/authors-gaza-youth-manifesto-speak-ei/9184).

Anonyme, "Palestinian Rappers (PR) Muhammad El-Farah", This Week in Palestine, n° 88, août 2005 (http://www.thisweekinpalestine.com/details.php?id=1401&ed=105&edid=105).

Ansamed, "Music: Ayman, Hard to be a Rapper in Gaza", 27 juillet 2011 (http://www.ansamed.info/en/news/ME.XAM32624.html), reproduit sur yahoo (http://groups.yahoo.com/group/PWAP/message/34490).

Bartlett, Eva, "To Rap Is to Resist. Interview of Khaled Harara", Inter Press Service, 12 septembre 2009 (http://www.ipsnews.net/news.asp?idnews=48421).

Billet, Alexander, "Film review: Can hip hop be "bigger than the occupation" ?", The Electronic Intifada, 29 septembre 2011 (http://electronicintifada.net/content/film-review-can-hip-hop-be-bigger-occupation/10438).

Bhaysî (al-), Hamza (حمزة البحيصي), "مغنو الراب في غزة:مجتمع يحاكم وحكومة تمنع" (Rappeurs de Gaza : la société accuse et le gouvernement interdit), Elaph, 25 octobre 2010 (http://www.elaph.com/Web/arts/2010/10/606594.html).

Cassel, Matthew, "Photostory: Hip-hop for Gaza", The Electronic Intifada, 14 avril 2009 (http://electronicintifada.net/content/photostory-hip-hop-gaza/9748).

Cités unies France, Réseau Coopération décentralisée pour la Palestine, "IIIe Assises de la coopération décentralisée franco-palestinienne, Hébron, 23-24 janvier 2012", (http://gwendal-rouillard.fr/IMG/pdf/dossierpresse13janvier_deplacement_en_Palestine.pdf).

Denis, Jacques, "Chanter l’amour, chanter la guerre. Hip-hop palestinien", Le Monde diplomatique, décembre 2006 (http://www.monde-diplomatique.fr/2006/12/DENIS/14246).

Denis, Jacques, "hip-hop made in Palestine", Respect Mag, 2 octobre 2007 (http://www.respectmag.com/palestine).

El-Haddad, Laila, "Rap finds new voice in occupied Gaza", al-Jazeera, 15 mars 2005 (http://english.aljazeera.net/NR/exeres/250D841C-87D6-4554-9A71-83D44ABBD539.htm). Version en arabe sur Common Ground, 29 mars 2005 (http://www.commongroundnews.org/article.php?id=617&lan=ar&sp=0).

Farfalla, Anthony, "Palestinian Rapperz. Some fight with guns, others with art and culture", Abusters, 8 mars 2010 (http://www.adbusters.org/magazine/88/palestinian-rap.html).

Flaherty, Jordan, "Young Palestinians in Gaza find their voice through hip-hop", The Electronic Intifada, 12 juin 2009 (http://electronicintifada.net/content/young-palestinians-gaza-find-their-voice-through-hip-hop/8286).

Garcia-Sala, Carla Fibla & Skaik, Fadi N., "Palestinian Union: Aiman Magamis, Mohamed Al Ghraiz, Mohamed Wafi y Jaled Harara. Musicos y Bailarines", in Resistiendo en Gaza. Historias Palestinas, Barcelone, Ediciones Peninsula, 2010, p. 51-57.

IMEU (The Institute for Middle East Understanding), "Performing Arts. Photostory: Gaza's First Talent Show", 10 février 2012 (http://imeu.net/news/printer0022100.shtml).

Kempf, Hervé, "Dunkerque et Evry coopèrent avec la bande de Gaza", Le Monde, 6 juillet 2005.

Labad, Bashar, "A Hip Hop Foreigner in Gaza", menassat.com (http://www.menassat.com/?q=ar/news-articles/2447-hip-hop-foreigner-gaza) (reproduit sur Nomadic Wax, 13 décembre 2007 (http://nomadicwax.com/2007/12/a-hip-hop-foreigner-in-gaza/). Pour la version en arabe lire menassat.com (http://www.menassat.com/?q=ar/news-articles/2448-).

Maréchaud, Cerise, "Festival de Casa. Rap Palestinien. Au pied du Mur", Tel Quel (Maroc), n° 284, 28 juillet-3 août 2007 (http://www.telquel-online.com/284/arts2_284.shtml).

Mghamis, Ayman, "Raise your voice: hip hop in the Gaza Strip", The Elders, 21 octobre 2010 (http://dev.theelders.org/article/hip-hop-gaza-strip).

Neslen, Arthur, "Tamer Naffar 29, rapper, Lyd Israel", in In your Eyes. A Sand Storm, Berkeley, University of California Press, p. 67-71.

Nieuwhof, Adri, "Dutch hiphop artists visit Israel and Palestine", The Electronic Intifada, 4 novembre 2006 (http://electronicintifada.net/content/dutch-hiphop-artists-visit-israel-and-palestine/6495).

Saint-Paul, Patrick, "Maux palestiniens sur un air de rap" Le Figaro, 14 mars 2007 (http://www.lefigaro.fr/international/20070314.FIG000000142_maux_palestiniens_sur_un_air_de_rap.html).

Schäfer, Peter, "Palestinian hip-hop 'Put down the Stone, Pick up the Mic'", qantara.de, 31 août 2005 (http://en.qantara.de/wcsite.php?wc_c=8656) [trad. de "Worte statt Steinen Der Gazastreifen - ein harter Boden für Jugendkultur", NZZ, 29 juillet 2005 (http://www.nzz.ch/2005/07/29/fe/articlecqza9_1.160234.html).

Serrano, Shea, "A conversation with Mohammed Al-Farra of Palestinian Rapperz Straight Outta Gaza", Houston Press, 8 mai 2008 (http://www.houstonpress.com/content/printVersion/786868/).

Smith, Khury Petersen, Interview with Palestinian rapper Mahmoud Fayyed a.k.a. Kan3an, The Sitch, reproduit sur Boston Stands With Gaza, 9 juillet 2009 (http://bostonstandswithgaza.blogspot.com/2009/07/interview-with-palestinian-rapper.html).

Serrano, Shea, "Straight Outta Gaza. A conversation with Mohammed Al-Farra of Palestinian Rapperz", Houston Press, 8 mai 2008 (http://www.houstonpress.com/content/printVersion/786868/).

Tabar, Tania, "Sabreena da Witch: the first lady of Palestinian R&B", The Electronic Intifada, 12 avril 2010 (http://electronicintifada.net/content/sabreena-da-witch-first-lady-palestinian-rb/8771).

Yousef, "Palestinian Gandhis Part V: Lyrical Resistance", The Jerusalem Fund, 29 juin 2011 (http://blog.thejerusalemfund.org/2011/06/palestinian-gandhis-part-v-lyrical.html).

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Prière de citer : Jean-François Legrain, Sources et documents de l’histoire du rap à Gaza, Aix-en-Provence, IREMAM, 2019