CV de J-F Legrain  1ère Édition (30 juin 2019)
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Sources et documents de l’histoire du rap à Gaza

مصادر ووثائق تاريخ الراب في غزة

Jean-François Legrain

Le rap palestinien de Cisjordanie, de Palestine 48 et de l'exil

Cisjordanie, du nord au sud

Jénine : RAMI GB (http://www.reverbnation.com/ramigb) et RAMI GB (http://www.myspace.com/ramigb) ("Started rapping in 2000, started producing in the 2003, moved between Jordan, UAE, and Palestine in the past 7 years, i was born and raised in Jenin - Palestine, i got introduced to hip hop through a friend who gave me 2pac's music as a gift... "), Rami (http://www.facebook.com/RamiGBmusic) et Rami (http://www.soundclick.com/bands/default.cfm?bandID=10840). Fondateur de MMD (Microphone Min Dahab) (http://www.myspace.com/arabrappersnet).

Jénine : Amin Basha alias Rapfather. "RaPFaTheR" (http://www.facebook.com/pages/RaPFaTheR/6989373998) et "RaPFaTheR" (https://www.facebook.com/pg/AminBasha.666/) ("خليني احكي بالعربي افضل لمعظم اللي عالجروب هاد الجروب لتحديث الاغاني والحفلات والفيدوهات والصور أول بأول (-_*/ RaPFaTheR \*_-) امين عبد الهادي - امين باشا فلسطين - الضفه الغربيه - جنين www.aminbasha.tk من ايام ال 2004 اصدرنا البوم اسمو اعرب بس للأسف شركات الانتاج هو قالتلنا انو وطني زياده عن اللزوم وبنقدرش نوزعو طبعا كلشي بقينا ندفعو من جيبتنا من تسجيل بالاستديو والمواصلات وكلشي . ف من هداك اليوم صار عندي دافع انو اغني اللي بدي اياه نشالله وطني نشالله طتعيم و بصراحه بطلت تفرق. الحفلات كانت بجنين رام الله بيت لحم نابلس و اريحا. امين من احد مؤسسين قوافي حاده DRU اللي بتتكون من شباب من كل الضفه نزار قبها - جنين حاليا برام الله طلحه العلي - طول كرم برضو برام الله وابو الليل - الخليل طبعا ما بننساش الاصدقاء يعني الحمد لله بحب الكل وبحبوني وبشكر ومع حفظ الالقاب"), RAPFATHER (http://www.myspace.com/therapfather), RAPFATHER (http://www.soundclick.com/bands/default.cfm?bandID=686205) ("since 1992 i was loved the rap and hip hop songs after 3 years in 1995 that's was my bigening in writing rap lyrecs. in 2000 the first song that i was recorded now it's 2007 and i have many songs that i wona to sing and to spread to the world"), constitué de Amîn 'Abd al-Hâdî alias Amîn Bacha (امين عبد الهادي - امين باشا) (http://www.aminbasha.tk mais le site a disparu). Il travaille avec MC NiZ-R (http://www.myspace.com/mcnizr) (voir MC NiZ-R's official Fan Club).

Tulkarm : Wise Wolf alias de TalhaAlali (http://www.youtube.com/user/TalhaAlali). Talha Alali Wise Wolf ("http://www.facebook.com/TalhaWiseWolf") (فلسفة بعيدة عن المثاليات التي لا تدرك، فكر اجتماعي خالي من التملق والنفاق، حس وطني مرهف مليء بثقافة المقاومة ويحمل معاني المقاومة العملية التي حرم منها، رأي يحمل فكر جماعي وإن كان فكر الأقلية، حوارات نقدية ساخرة، عقل واحد لا يكفي وعقلان لا يتفقان، فوضى منظمة تبيت على الرصيف) a travaillé avec Rapfather de Jénineet Dj Ammar de Naplouse. Talha Al-Ali (Wise Wolf) (http://www.facebook.com/talha.alaliwisewolf) anime un blog "طلحة العلي (http://t-al-ali.blogspot.com/) et "مدونة طلحة العلي" (http://www.facebook.com/Talhablog).

Naplouse : Birds of Darkness band in nablus city فرقه طيور الظلام من نابلس (http://www.facebook.com/pages/Birds-of-Darkness-band-in-nablus-city-فرقه-طيور-الظلام-من-نابلس/142689879107216) (formé en 2010 avec "Mc. Kaied Nablus City" Aka the rock (http://www.facebook.com/pages/Mc-Kaied-Nablus-City/199816980040348), MC Basem Aka the buneshar (http://www.youtube.com/watch?v=6JFDryVlTpY) et MC Salam Aka Al Sekeen. Voir aussi (http://www.youtube.com/watch?v=H4-RfQlQDjE).

Naplouse : Black Peace Band avec "MC.AZ-Ameer Zidan" (http://www.facebook.com/pages/MCAZ-Ameer-Zidan/123581601037769) (Amîr Zaydân).

Naplouse : DJ.AMMAR (http://www.facebook.com/pages/DJAMMAR/135989449765497).

Naplouse : احنا EHNA BAND (http://e7na-band.com/) (The Band "WE. Our Band Originated in Nablus, Palestine and is made up of 7 very devoted people. 4 young men, and3 young women. The idea of the establishment of the band was come together and thought about by the members of the band. It has brought together some great members of the creative and music world to sing/rap/freestyle individually. We would like to thank Talha Ali very much for his efforts in bringing and supporting the group to come together. The Band's name "WE" has many different meanings behind it. The most obvious being that we stick together as a team. our Strange name has many meanings. this wonderful name was spoken about and later then adopted for this futuristic band. Wish us luck!) ou "We Band فرقة احنا" (http://www.facebook.com/groups/161866473021/). Le groupe est formé de 4 hommes et 3 femmes, Sally Hindi, Baha’ Jaber (http://www.facebook.com/profile.php?id=1360875873), Rami Nazzal (http://www.facebook.com/profile.php?id=1357935947), Duja Bassam, Khaled Tabone (http://www.facebook.com/profile.php?id=100001147211836) et de Thair Khandakji (MC Turky) (http://www.facebook.com/E7na2009), le groupe a également collaboré avec "MC.AZ-Ameer Zidan" (http://www.facebook.com/pages/MCAZ-Ameer-Zidan/123581601037769) (Amîr Zaydân) de Black Peace Band, avec Voice Of Anger et le rappeur Hafez el Hafez..

Naplouse : "RapTrap Band! (The youngest Arab Rappers in Nablus)" (http://www.facebook.com/groups/107542449274855/). Fondé en 2010, le groupe est formé de "Basheer Saifi" (http://www.facebook.com/profile.php?id=594203967) alias Mc.Basheer, de "Muhanad M. Masri" (http://www.facebook.com/profile.php?id=711439203) alias Mc.Muhanad et de MC Nabeeh.

Naplouse : "RaPpErS NaBlUs" (http://www.facebook.com/pages/RaPpErS-NaBlUs/123551200998622) avec Al Ramahi Baker (Bebo) (http://www.facebook.com/profile.php?id=1482066693) (Bakr Al-Ramahî).

Naplouse : RaPpErS PaLeStEIN (http://www.facebook.com/pages/RaPpErS-PaLeStEIN/119987598043436), avec Al Ramahi Baker (Bebo) (http://www.facebook.com/profile.php?id=1482066693) (Bakr Al-Ramahî), Karîm al-Masrî et Mohammad Hindi (MC Mkr) (http://www.facebook.com/profile.php?id=1056953582) (Muhammad Hindî Hindî).

Naplouse : Street MaFia From NablUs (http://www.facebook.com/pages/Street-MaFia-From-NablUs/126139324106202) (السبب من تسميه الفرقه :نشأتها في شوارع المدينه بدأت فكره تكوين فرقه (Street Mafia) نتيجه الكبد و المعاناه التي يمر بها الشعب الفلسطيني... فبدأت فكره تفريغ الكبت والحرمان في شيء جديد و مميز... ومن هنا بدأت فكره BREK DANC ونتيجه الجهود المتواصله و الحماس أستطاع أفراد Street Mafia تحويل الجهود الضئيله إلى أبداع متقن. رغم سوء الاوضاع الاجتماعيه و المادية ورغم أن الفرقه بنية بالجهود الذاتيه رغم الصعوبات التي واجهة الفرقه إلا أن العزم و الاصرار و المثابره تحولت إلى فن راقي لا يتقنه إلا أصحاب ألاراده القويه . بعد مرور ثلاث أعوام على تأسيس الفرقه أستطاع صيت Street Mafia ليصل في معظم انحاء فلسطين (على رغم من أن عدد الافراد لم يتجاوز 7 أشخاص ).. كبرت المجموعه وزادت التفات الناس إليها بعد العروض التي كانت تعرض فقط في الحفلات الشعبيه. . . . باتت فرقه Street Mafia بالجهود الذاتيه المقتصره على شارع(أبداع لا حدود له. . .). Fondé en 2006, le groupe pratique "Break dance, Dance collective, Singing Rap, Unicycle and Jagling".

Naplouse : UNDERASH BAND (http://www.reverbnation.com/underashband). Formé de Teto Odeh (http://www.facebook.com/Teto.HIPHOP.producer/) (MC & Dj), Ammar (MC &  Dj) (http://www.facebook.com/pages/DJAMMAR/135989449765497) et Twist (Mc) (http://www.facebook.com/profile.php?id=1463886300) de Naplouse, et de Mxama (Mc) et Aboos (Mc) de Jordanie.

Naplouse : فرقة بلا هوية WITHOUT ID BAND (http://without-id.7olm.org/). Formé de Alam Hammouz (علام الهموز) AKA Mc.Alam, Abood Dwaikat (عبود دويكات) The Prince et Mohammad Yosef AKA Juba, le groupe travaille avec DJ.AMMAR (http://www.facebook.com/pages/DJAMMAR/135989449765497). Voir également "Allam & Abood" (http://www.facebook.com/pages/Allam-Abood/233047086725570) et "Allam&Abood" (http://www.reverbnation.com/AllamandAbood).

Ramallah : ENOUGH BAND (http://www.reverbnation.com/enoughband) (فرقة كفى من رام الله هي فرقة شبابية تكونت في ال2007 من دمج فرقتين, وتتكون الفرقة من 4 اشخاص طارق العزة (تاد), راشد الريماوي, محمد أبو غوش و أحمد عموص. عملت الفرقة على ايصال رسالتها لجميع الفئات من خلال التنويع في الأسلوب وشاركت في مشابقة هيب هوبكم بثلاثة أعضاء منها وحصلت على المرتبة الثانية على فلسطين. وتأمل الفرقة الى اسماع صوتها ليصل جميع الفئات. وتعمل الآن على الألبوم الأول لها مع كثير من الرابرز الفلسطينيين والعرب). Formé en 2007, Enough (http://www.facebook.com/pages/Enough/138424809527845) est constitué de Tareq Azzeh (Tad), Rashed Riyad Rimawi (http://www.facebook.com/profile.php?id=742711294), Mohammed Abu Ghosh et d'Ahmad AmoUs (http://www.facebook.com/profile.php?id=100001343153932). Il obtient la 2e place lors du HipHopKom de 2009. Il bénéficie d'un groupe Facebook, "Enough Band فرقة كفى" (http://www.facebook.com/groups/43622141117/). Son site Enoughband (http://www.enoughband.com/) a disparu.

Ramallah : Musle7 (http://www.myspace.com/musle7).

Ramallah : Ramallah Underground (Stormtrap, Boikutt, et Aswatt) (http://www.ramallahunderground.com/). Voir également Ramallahunderground Collabos (http://www.myspace.com/ramallahundergroundcollabos), Ramallah Underground (http://www.reverbnation.com/ramallahunderground) et Ramallahunderground (http://www.myspace.com/rucollective) ("Ramallah Underground, based in Ramallah, Palestine, was born from the immediacy of musical experimentation and the need to give voice to a generation of Palestinians and Arabs who face a turbulent and uncertain political landscape. .. .. The collective was founded by artists Boikutt, Stormtrap, and Aswatt and has always held a commitment to both the honesty of their work and the need to creatively rejuvenate Arabic culture. To this end they combine music ranging from Arabic electronic music, hip-hop, trip hop to downtempo with a deep sense of their local culture and imposing presence of Palestine in their lives. The outcome is a new specific distinct sound. .. .. RU (as producers and as MC's) has collaborated with numerous artists across the globe, including countries like Lebanon, UK, Switzerland, Italy, USA, France and many more, including a collaboration with Slovo (a band headed by the guitarist from faithless) in their track 'Nakba', which appears on their album "Todo Cambia" and with Kronos Quartet in the track 'Tashweesh' which appears on "Floodplain" .. .. RU has also performed live shows in Ramallah, Bethlehem, Vienna, London, Cairo, Lausanne, Amsterdam and Washington DC. Their shows are mainly a performance of their hip-hop tracks, as well as a few of their own electronic productions as a warm up. More recently RU has incorporated a visual set in their live performances brought to you by Palestinian visual artist Ruanne. RU hopes to give a voice to Palestinians and Arabs, bringing an alternative voice from the Arab world. .. .. Their lyrics and music are an expression of anguish and defiance, ultimately remaining a defiant voice of the colonized against the colonizer. They continue to play a big role in the Arab Underground cultural scene while slowly gaining wide global and local popularity."). Le groupe est composé de stormtrap (ramallah underground) (http://www.myspace.com/stormtrap), boikutt (http://www.myspace.com/boikutt) ("boikutt is a music composer, MC, and producer based in Ramallah, Palestine. Creating sounds using sampled material, field recordings, and electronic devices.. .... ..-Co-founder of Ramallah Underground... ..-Co-founder of Tashweesh...") (Jâd) et aswatt (http://www.myspace.com/aswatt) (Basel Abbas). Avec Excentrik (Tarik Kazaleh) d'Oakland, Ramallah Underground collabore à la bande musicale de Chronicles of a Refugee, une série de documentaires produite en 2008 par Adam Shapiro, Perla Issa et Aseel Mansour. Le groupe serait marqué Fatah et anti-Hamas. Selon Laborio Sociale, "Il Rap palestinese – Intifada in musica", 24 mars 2010, "Ramallah Underground, con sede a Ramallah, nei Territori occupati, è nato dall’immediatezza della sperimentazione musicale e dalla necessità di dare voce a una generazione di palestinesi per affrontare un panorama politico turbolento e incerto. Il collettivo è stato fondato dagli artisti Boikutt, Stormtrap e Aswatt e con l’obiettivo di ringiovanire in modo creativo la cultura araba. A tal fine RU combina musica araba elettronica, hip hop, trip hop, downtempo con un’attenzione profonda alla cultura locale. Il risultato è un suono molto particolare e caratterizzato. RU ha avviato numerose collaborazioni in Libano, Gran Bretagna, Svizzera, Italia, Stati Uniti, Francia e in molti altri paesi. Spicca la collaborazione con Slovo, gruppo guidato dal chitarrista Dave Randall, per il brano “Nakba”, che compare nell’album “Todo Cambia”, e con il Kronos Quartetnel brano “Tashweesh”. Recentemente RU ha inserito una componente visiva nelle esibizioni dal vivo, in collaborazione con l’artista Ruanne. I testi e la musica di RU sono sinonimo di angoscia e sfida: in ultima analisi, ancora una voce ribelle dei colonizzati contro il colonizzatore. RU svolge un ruolo importante nella scena culturale araba underground, mentre lentamente guadagna popolarità a livello locale e globale."Stormtrap Asifeh (voir également Stormtrap Asifeh) est l'un des fondateurs du groupe il est également producteur et rappeur.

Ramallah : SeVeN (http://www.myspace.com/7sain).

Ramallah : Tashweesh - تشويش (http://tashweesh.com/), Tashweesh (http://vimeo.com/tashweesh) et. Tashweesh (http://www.myspace.com/tashweesh) (تشويش هي فرقة أداء للفنون المرئية والمسموعة. تضم تشويش أعمال واهتمامات الفنانين روان أبو رحمة، ومقاطعة، وباسل عباس (أصوات)، والتي يستخدمون فيها الصوت، والموسيقى، والصورة، والكلمة. والنتيجة هي سبر وتفاعل ومواجهة بين تسجيلات الصوت والفيديو من الواقع، والأرشيف، والأغاني، والمشهد الصوتي. قدم أعضاء فرقة تشويش منذ عام ٢٠٠٣ عروضاً فنية ضمن فرقة رام الله أندرغراوند وعروضاً فردية في عدة أماكن، كما شاركوا في العديد من المهرجانات في شتى أنحاء العالم .... Tashweesh is an audio-visual group that brings together the different practices and interests of artists Ruanne Abou-Rahme (روان أبو رحمة), boikutt, and Basel Abbas (aswatt), using sound, music, image and text. The result is an exploration and collision between sound and video field recordings, archive material, vocals, breaks and soundscapes. They have also collaborated and performed together, individually and as Ramallah Underground, since 2003 in various venues and festivals around the world.)..

Jérusalem (camp de Chu'afât) : G-Town the Palestinian hip-hop makers (http://www.myspace.com/gtown2002) ("With the vast reach of the Hip hop culture in Palestine, this widespread phenomenon attracted the attention of Muhammmed al-Moughrabi a young Palestinian refugee from Shu'fat refugee camp located in Jerusalem in the occupied Palestinian territory who was deeply fond of this culture and waited too long to speak up and express his feelings and aspirations concerning the difficult circumstances of being a refugee in a creative way. Thus, his dream was applied to the realm of reality in 2002 when he launched a hip hop band under the name refugee of Jerusalem - G- Town- where G stands for Ghetto – along with Fadi Amous. They played the first beat of Hip Hop music and released their first album in 2007 with the name Dardakeh and thus were the first to play hip hop music in Jerusalem and use this culture as a mean to express the feeling of being a refugee and their sentiments towards their homeland, enemy, world and the middle east in general. One of their most well known songs was Sharq Awsat Jadeed (New Middle East). This song was known all over the world. Therefore, G- Town band can be taken as a great example of the success of the Hip hop culture in Palestine as its members have participated in many international festivals and tours, never to fail mentioning getting a MTV award, beside producing video shows, and taking parts in documentary films, composing music, and having the privilege of making soundtrack for an academy award (Oscar) nominated film"). Voir aussi G Town (http://www.facebook.com/pages/G-Town/46145612749) et G Town (http://www.reverbnation.com/gtown). Le site http://www.gtown2002.com/ n'est plus actif début 2012. Le groupe est composé de Muhammad Mughrabi G-Town (http://www.facebook.com/palfilm) et de F-lan Ammous G-Town (http://www.facebook.com/KOGTOWN).

Jérusalem : CultureSHOC (http://www.cultureshoc.com/), CULTURESHOC (http://www.facebook.com/CultureSHOC.Palestine), CultureSHOC - PALESTINE (http://www.myspace.com/cultureshoc-palestine), CULTURESHOC (http://www.reverbnation.com/cultureshoc) et CultureSHOC (http://www.youtube.com/user/CultureshocBand) ("CultureSHOC is an all Palestinian, from Jerusalem, 6 member band, which appeared on the Palestinian Music Scene in August 2008. CultureSHOC consists of two guitarists, Ahmad Al-Sharif (music Composer and Arranger, lead guitarist) and Ivan Azazian( Second Guitar and Backup Vocals). Amer Yaghmour is the Bass Player; Suleiman Harb the band’s Rapper, Amira B. Dibsy, the Vocalist and the Drummer is Khaldoun Abu Nijmeh. The band Compose and arrange their Own songs. [...] The Band Name (CultureSHOC) seemed perfect, as the Band is a Rock-Rap band that fuses Rock music with Rap music, quite unlike anything on the music scene in Palestine and that the majority of the songs are in English. The band personalized its name by removing the k and making it one word, easy for recognition and searches be it online or otherwise. [...] In June 2010 CultureSHOC performed, as guest of honor, at the Turkish Vision Festival in Denizli Turkey, the band’s First International appearance. The band has also shared one of their songs “Coins in their Pockets” with Amnesty International’s music project PEACE and their song “TRAFFIC” to Jordan’s Jeeran Music Productions, for the Best hits in the Arab World region for rising bands.").

Jérusalem : Egtya7 Underground (http://www.reverbnation.com/egtya7) ("In 2007, a group of artist have decided to start a movement, to expose the oppression and tyranny that Palestinians face in their home country, and that movement was called Egtya7. Egtya7, a Rap group, composed of five rappers, Fadi Taweel (Maqdsi), Watan Abu Hamed (El-Terrorista), Fouad Abdulhadi (Majzarah), & Ahmad Al-Nabelsi (Alqadi); they’ve sought to be and have success...successfully, Egtya7 became the voice of justice and freedom. Determined to be the voice of truth, they gather inspiration from every street and every alley, from every life and every death, from every imprisoned, and free soul to deliver lyrical and musical masterpieces. With fans from all around the world, Arabs and foreigners, they have added their unique flavor to Arabic hip-hop."). Leur site "Egtya7 UG band | The Official Web-Site" (http://www.egtya7.com/) ("it's a band of five persons founded in Jerusalem to sing rap, reggae. Egtya7 is currently working on an upcoming album entitled "The storm after the silent". Melodies are produced by several composers of Palestine and outside Palestine, and the recording is in egtya7 studio. The objective of the establishment of the band is to educate the largest possible number of young people inside Palestine, what is going on around them from political and social problems, especially the youth, it's more targeted category at this time.. We do not seek the fame or to reap the profits, we seek only the objectives of the Semitic. فرقة مكوّنة من خمس أشخاص ، أُسست في القدس لغناء موسيقى الراب ، الريجاي.. إجتياح تعمل حالياً على ألبوم قادم بعنوان " عاصفة ما بعدها هدوء ".. يتم إنتاج الألحان من قبل عدّة ملحنين من فلسطين وخارج فلسطين ، ويتم التسجيل في أستوديو اجتياح الهدف من إنشاء الفرقة هو توعية أكبر عدد ممكن من فئة الشباب بداخل فلسطين ، على ما يدور حولهم من مشاكل سياسية واجتماعية ، وخصوصاً فئة الشباب ، لانها اكثر فئة استهدافاً في هذا الوقت والزمن.. لا نسعى لشهرة أو لجني ارباح ، نسعى فقط لأهداف سامية.." n'a connu qu'une brève existence en 2011. Le groupe Ijtiyâh [invasion] (فرقة إجتياح – القدس) est constitué de Fadi Taweel (Maqdsi) (http://www.facebook.com/maqdsi) (فادي الطويل "مقدسي", "Fouad Abdulhadi (MaJzarah)" (http://www.facebook.com/fouad.abdulhadi) (فؤاد عبد الهادي "مجزرة"), Watan Abu Hamed (Abu Karmel) (http://www.facebook.com/watanabufalsteen) (alias El-Terrorista) (وطن ابو حامد "الارهابي"), Ahmad Al-Nabelsi (أحمد النابلسي) (http://www.facebook.com/mc.alkadi) dit MC Al KADI القاضي [voir également MC AL-KADI القاضي (http://www.reverbnation.com/mcalkadi) et la chaîne YouTube de mcalkadi (http://www.youtube.com/mcalkadi)] et Ibrahim O'deh (الباز إجتياح) (http://www.facebook.com/Paz.Ibrahim.Egtya7.Underground) ditI'll Paz (الباز اجتياح) (http://www.facebook.com/Paz.Egtya7.Underground), Ma'moon Herimi (Max) (http://www.facebook.com/MaxI313) et Khaled Muhtaseb (http://www.facebook.com/kegtya7). Voir également Egtya7 UG - إجتياح أندر جراوند (http://www.facebook.com/egtya7), le groupe " "Egtya7 Underground - إجتياح أندر جراوند (http://www.facebook.com/groups/211826649465/) et la chaîne YouTube "Egtya7 Underground - اجتياح تحت ارضي" (http://www.youtube.com/user/egtya7)

Jérusalem : hip-hop 4 Gaza (http://www.myspace.com/hiphop4gaza) ("With the recent onslaught on Gaza, which began the 27th of December 2008 and lasted 22 days, the population of Gaza has experienced a level of terror and distress that has cast the 1.5 mio. inhabitants of this hermetically closed coastal strip into an unprecedented humanitarian crisis. The 'Hip Hop for Gaza' campaign is an initiative taken during the bombardment of Gaza by Palestinian and foreign rappers calling for unity in the Palestinian society and directing their messages to those responsible for the fate of the 1454 killed and 4870 wounded women, men and children. The album is dedicated to Ayman, our brother and colleague who lost his father and his home in one of the "surgical" airstrikes of the Israeli military. They call this "collateral damage". "A bell fired in Jericho rings through blasted windows a woman carries bones in bags under eyes disbelieving becoming numb dumbed by numbers front and back Gaza onto Gaza for Gaza am sorry Gaza am sorry she sings for the whole powerless world her notes pitch perfect the bell a death toll" Suheir Hammad, "Jabaliya" 2009").

Jérusalem : Musab R. Tawil (http://www.youtube.com/user/tawiloo/feed) et Musab R. Tawil (http://www.facebook.com/musabtawil). "Da Arabian guy Musab Tawil (Big Marshall) 19 years old, is from the firsts and bigests Palestinian Rapperz, he was born and grew up in Jerusalem. B.M, who had been performing Rap since 2002 with his friends. He is writing his own lyrics, his music is a unique fusion of East and West, combining Arabic percussion rhythms, Middle Eastern melodies and urban Hip Hop/Rap. The lyrics of B.M are influenced by the continuing Israeli - Palestinian conflict as well as by the Palestinian struggle for freedom and equality.The first album will be in the markets and in internet in Sep.2007", selon Making of Musab R. Tawil - Free Palestine & Lebanon (http://www.youtube.com/watch?v=kFKsoiTdITs).

Jérusalem : Old City Soldiers Team est présent sur Facebook, "O-C Soldiers Team" (http://www.facebook.com/OCSoldierTeam), MySpace, "O-C Soldiers" (http://www.myspace.com/ocsoldiersteam), et Reverbnation, "O-C SOLDIERS" (http://www.reverbnation.com/ocsoldiers), selon lequel "O-C Soldiers is a Hip Hop Team started in 2001 with the Rapper (Ahmad Abu Baker) Writer-Rapper-Sound Recording (Mohamed Aglone) Rapper-R&B-Sound Mixing they worked on an album.... unsigned deal but they did..nt relesed the album beacuse they did..nt found no one to soupprt the album.... On 2004 the Rapper (Raed Bassam) Joined the team and they started to work on new type of song..s and on 2006 they came out with the hit single (et7abast el nufus) Feat (Moe) and it was one of the best Arabic Rap song..s in the middel east thats how the (O-C SOLDIERS) name started to be big and knowing team in Jerusalem and outside..." "RAED BASSAM (O-C Soldiers)" (http://www.myspace.com/raeedbassam) possède également un compte MySpace propre comme Ahmad "Abu Baker" (http://www.myspace.com/ja_cobb).

Jérusalem : PHOENIX THE RENAISSANCE MAN (http://www.myspace.com/phoenixtherenaissanceman).

Jérusalem et Etats-Unis (Connecticut) : Raffoul (https://www.facebook.com/raffoulofficial/). Selon Shinkicker (29 janvier 2018) qui le classe parmi les 15 meilleurs artistes palestiniens de hip-hop, "although he grew up in Palestine, Raffoul was born in Connecticut. He is from the minority Christian community of Palestinians. Raffoul's parents returned home when he was only 7 months old. From an early age, he fell in love with hip-hop and Tupac Shakur was one of his big influences. His parents divorced when he was 10 years old and travelling between them on visits was difficult. “I listened to a lot of hip-hop passing through checkpoints.” Other influences are Immortal Technique, Talib Kweli, Biggie and Jedi Mind Tricks among other artists. Raffoul has since returned to the USA but has has filmed several music videos in Palestine singing in English about his experiences growing up there. These include "Tears Over Palestine," "Scars of Gaza," and "Bloodstream (with Bashar Murad)." Il a une bibliothèque YouTube Raffoul S (https://www.youtube.com/channel/UC9zcAyIeC1gpXely20ObV-g) et un compte SoundClound raffoulofficial (https://soundcloud.com/raffoulofficial) et se trouve sur Twitter Raffoul (@raffoulofficial).

Bayt Jala : BEIT JALA MC’S est constitué de Bishara Sous alias BS, B.S. - Beit Jala MC’s (http://www.myspace.com/bishara.sous) ("B.S. (Bishara Sous) born in Beit Jala, in 2-10-1990 where he lived and was raised … He began writing rap 4 years ago, only 2 years ago he started making rap songs out of what he wrote. What made him start writing was the situation which the people here are going through and the problems which used to happen and still happen. Everything he saw he wrote down in those words. Now he's one of the Beit Jala rappers, and he always says: "if you wanna be a man you have to bear the length of the road, and keep your head up as long as you carry the cross on your chest because it's protecting you") et de George Bishara Sous Rabie alias GR, G.R. / Beit Jala MCs (http://www.myspace.com/grgeorgerabie) ("George (G.R.) Rabie, born on the 20th of OCT. 1984, in Beit Jala city in the west bank / palestine, and raised in it's narrow streetz and lived the real life status of beit jala and the west bank.. started writing 8 years ago but official recording started almost 5 years ago.. travelled outside but still there's no place that smells better than home. G.R. started rappin' solo, i wanted to start rapping since the school days when i started writing poems of my creation on the desk, and that's when i had trouble with some mentally fucked up teachers that wanted me to clean my desk all the time, but i realized how much the lyrics i wirte were precious to me, so before cleaning and deleting, i used to write them again on my note book so i wont lose them. and i wrote too much that made me use many many notebooks. i started rappin' in arabic after i realized how it can be possible by the person who made the spark for me and for other palestinian rappers to start and that is " Tamer Naffar " from the "DAM crew"... and so went on with it. these days i'm writing about the general life of palestine, the west bank & bethlehem area in general. writing about the killings and assassinations of the israeli occupation resistance, and the animal cage that the occupation is building to fill it up with palestinians, also writing about the racism that palestinians are facing sometimes from each other, the palestinians that are killing each other, whether becoz of their religeon or their political affiliation, and it's better to say it how we live it and this is wut i do. I started the idea of " Beit Jala MCs crew " and i found that many rappers from beit jala city would love to join, many talents were discovered, and they will be introduced on my website to u, in songz that will be made for u to enjoy and have a simple idea of our life. I we hate religeous discrimination, race discrimination, we hate rage against women, we hate rage of men against men, and when we sound violent on a track, it is becoz this is wut we see in real life, and this is also wut we face, so the right thing to do also is to defend ur self with all u got. "long live the resistance, freedom is near, u can die in an instance, so never fear, to defend ur soul and defend ur love ones, use knives and even use gunz, coz i'll use anything if i have to, THIS G.R. & BEIT JALA MCs SO DONT STEP AGAINST US OR WE MIGHT STAB YOU."- G.R. (George Rabie) Goin' on with my music till i fall, and if u like it and appreciate it then i wana thank all y'all, hahahahaha "G.R. OF BEIT JALA" ..I GOT A CROSS ON MY CHEST THAT'S WHY I KEEP MY HEAD UP HIGH.. jesus is my saviour, look for jesus and u'll definately be saved too... -").

Bethléem (camp de Dahisha) : R.R. Refugee Rappers (http://www.refugeerappers.4t.com/index.html) ("We are a Palestinian group call R.R "Refugee Rappers" and we are from West Bank Bethlehem Dehisha Camp. We are six teenagers " Salah 19 years old - Bashar 19 years old- Motaz 19 years old - Mudy 17 years old - Ibrahim 17 years old - Baha' 17 years old . Our Work : Our group just start to do a simple work about the Palestinian Issue to express our life, call " a Refugee message" and it's contain eight songs from our word and music, and we would like to see all the people receive the message" "بدينا المشوار واحنا ال R.R هاي اول كلمات بنبعثها لكل الي بجبونا احنا 7 شباب من مخيم الدهيشة الواقع في بيت لحم الي هي جزء من الضفة الغربية  يعني بالمختصر امنا فلسطين بدون فلسفة احنا مثلكو شباب بنحب هاي البلد واخترنا الراب ليكون رسالتنا لكل الشعوب تيعرفو شو بصير في هاي البلد بشار - صلاح -مودي  - ابراهيم - معتز - بهاء - معاذ هاي هي اسمينا) . Voir également Refugee Rappers (http://www.facebook.com/pages/Refugee-Rappers/227435037322026)

Bethléem (camp de Dahisha) : Bad Luck Rappers (http://www.myspace.com/badluck194) devenu Palestine street (http://www.reverbnation.com/palestinestreet). Selon Bad Luck Rappers (http://www.myspace.com/badluck194), "Bad Luck Rappers, from Dheishah Camp has 4 guys, They started recording their songs in Ibdaa's Studio, and they have 30 different songs which deal with different Political, social issues, and also about the Refugee's history, especially The Right Of Return, as well as the Palestinian case in general. Moreover, they tried to spread out their message all over the world via Rapping, and not only Rapping, they also have a video talks about the Palestinian's struggle after building the Discrimination Wall, and they have that video already on the internet. Now, they are working on producing anew album, which will has 10 songs talk about different issues, that the Palestinian's people face in their daily life, which were discussed between the band. Bad Luck is a Political Band, that writes it's words and also produce it's music by them selves and they have chosen rapping, in order to express them selves as will as struggling, and refusing the occupation. Bad luck also believes that rapping is a good way to make a change and develop some thing in political awareness, which is not enough on the youths mined, in the Palestinian community. Now they are working also with the children in there community especially Dheishah camp. Because they believe that these kids have a lot of energy and something to tell the world about it." Selon Palestine street (http://www.reverbnation.com/palestinestreet), "Palestine street is a rap group from Dhiesheh Refugee Camp in Bethlehem-Palestine. They started in 2004 and they were called ''Badluck Band''. This names has changed and now they are called "Palestine Street". Palestine Street are 4 guys; 3 MC’s and the Dj. Mohammd 20 years old, Diya 20, Soud 20 and Hisham 22. They conducted many performances in the West Bank and in Europe. They sing for the Palestinian cause and for the Palestinian people who are facing hardship living in refugee camps and under the Israeli occupation. In particular, the issue of the Palestinian refugees is a main subject in the band songs since they are themselves refugees living in a camp. They also had workshops with children in the West Bank, Europe and the UK. They also worked with many artists from the United States, Europe, the UK and Africa. Palestine Street working now in Dheisheh Camp on their new album which will be released soon. They also work with children from the camp to give them the chance to express themselves by hip-hop and rap and music in general. As a result, the children have recorded 4 songs about many issues concern them such as life in the camp, the hardships they face as children in the camp as well as The Separation Wall in the West Bank. Palestine Street, work to build a new generation that is conscious and educated, aware if what's going on around. A new young generation that does not accept complacency and escape. A new generation that makes the change by words and deeds. شارع فلسطين هي فرقة راب عربي من مخيم الدهيشة للاجئين في بيت لحم فلسطين. تأسست فرقة شارع فلسطين سنة 2004 وكانت تعرف سابقاً بفرقة (الحظ السيء). شارع فلسطين تتكون من اربع شباب ، يكتبون كلماتهم ويصنعون الموسيقى الخاصة بهم ، وهم محمد 20 سنة وسعود 20 سنة و ضياء 20 سنة وهشام 22 سنة ، قاموا بعمل الكثير من الحفلات والامسيات وورشات العمل في جميع مدن الضفة الغربية وبعض دول اوروبا مثل ايطاليا والسويد و بريطانيا. بما انهم شباب فلسطينين لاجئين يعيشون في المخيم ؛ فكلماتهم واغانيهم تتكلم عن الحياة في فلسطين والمشاكل التي نواجهها كلفلسطينين بشكل عام ، وبشكل خاص فهم يصرخون مطالبين بحق العودة للاجئين وتحرير فلسطين من النهر للبحر ويدعون الشعب الفلسطيني للتوحد ومحاربة الاحتلال الاسرائيلي الباطش. الان شارع فلسطين تعمل على انتاج أول اللبوم خاص بها بعد ان عملت على انتاج اللبوم لاطفال من مخيم الدهيشة قامت بتدريبهم على الكتابة و الغناء والوقوف على المسرح. شارع فلسطين تعمل على بناء جيل جديد ؛ جيل متعلم ومثقف ويعرف عدوه جيداً ، بعيداً عن شعارات السلام الكذاب ، فهم لا يأمنوا بسلام بين الشعب الفلسطيني والمحتل الاسرائيلي.". Formé de Mohamad Azmi (Abu Yousif) (http://www.facebook.com/profile.php?id=1059411379) (محمد عزمي), Diyâ Milhim, Hichâm Lahhâm et Sa'ûd. Voir également Palestine Street شارع فلسطين (http://www.facebook.com/PaleStreet), Palestine Street Official (http://www.youtube.com/user/palestreet) et Palestine street lovers (http://www.facebook.com/pages/Palestine-street-lovers/133007020086714). Selon Shinkicker (29 janvier 2018) qui classe le groupe parmi les 15 meilleurs artistes palestiniens de hip-hop, Palestine Street started in 2004 and were originally called ''Badluck Band'." They are from the Dhiesheh Refugee Camp in Bethlehem. They sing for the Palestinian cause and for the people in the refugee camps particularly since they come from a camp themselves. One of their tracks is therefore called "Living in Dhiesheh." Palestine Street have conducted performances in Europe and collaborated with many artists from the USA, Europe, the UK and Africa. They also hold workshops with children to encourage them to express themselves through hip-hop and rap and other forms of music. Other good Tunes are "School Song" and "From Where"."

Bethléem (camp de Dahisha) : Shoruq/شروق (https://www.facebook.com/ShoruqOrg/, https://soundcloud.com/shoruqmc, https://twitter.com/Shoruq194, https://www.youtube.com/channel/UCUDM8qx8kmBvIM52i3uaaCQ) regroupe des adolescentes dont Sophia Alissa, Dalia Ramadan et Nadeen Odeh, dans le cadre de l'organisation Shoruq du camp. Le trio se produit à New-York en 2015.

Bethléem : DC 48 (http://www.facebook.com/DC48MCS) est formé de Nadim Alayaseh Intifada (نديم العيسة) (http://www.facebook.com/naz970) alias NaZ et de Hackam Abu Laban Aka Zack dit Zackwee' El-Jelani (Zack Laban) (http://www.facebook.com/hackamzackarya.abulaban). Voir également DC48MCS (http://www.youtube.com/user/DC48MCs/).

Bethléem : Voice Of Anger Band (http://www.reverbnation.com/voiceofangerband) (صوت الغضب), formé en 2008, est composé de Hamze I. Istatieh (http://www.facebook.com/profile.php?id=100000557591646) et de Joh Qumsieh (MC Johnny) (http://www.facebook.com/Mc.Joh). Selon Voice Of Anger Band (official page) (http://www.facebook.com/pages/Voice-Of-Anger-Band-official-page-/152400168145018), "Voice Of Anger band consists from two rappers Johny Qumsieh And Hamza Elmahseri The aim of this band talking about poverty, occupation, separation wall, deprivation. This band established since 2008, this band did not receive support from institutions they worked on the configuration of the self, despite all the criticism faced by the division of society's, the band was advanced and became her a wide audience. The band is currently working on producing her first album (once upon a time), and this album made by the band and they paid all the costs required for publication this album." Il bénéficie de deux groupes Facebook, Voice Of Anger Band (official group) (http://www.facebook.com/groups/116858985030701/) et Voice Of Anger Band (official group) (http://www.facebook.com/pages/Voice-Of-Anger-Band-official-group/161305463930176). Voir également Voice Of Anger Band (http://www.youtube.com/user/johnyqumsieh/).

Hébron : Black Revolution, , , , الثورة السوداء (http://www.facebook.com/pages/Black-Revolutionالثورة-السوداء/87437227034), formé en 2007, est composé de Wajdi Abu Istitiyya (وجدي أبو سنينة) dit Wajdi Taha (http://www.facebook.com/profile.php?id=1026433016), Abdullah Abu Haltm, Abdul Yaghmour (عبد المعطي يغمور), Rajeh Da’na (RJ) (http://www.myspace.com/rajehdana) et Rajeh Dana (http://www.facebook.com/rajehdana) (راجح دعنا), et Watan Abu Hamid (الثورة السوداء - اول فرقة راب في مدينة الخليل تنقل معاناة الشعب الفلسطيني عامة، ومدينة الخليل خاصة، بشكل يستطيع حمل الرساله إلى العالم بطريقة سهلة وأكثر قبولا، وللتعبير عن المعاناة التي تشهدها الخليل سياسيا واجتماعيا وثقافيا جراء ممارساتة الاحتلال ومستوطنيه الهادفة لتفريغ بلدتها القديمة.). Voir également Black Revolution (http://www.myspace.com/550222187), Black Revolution (http://br-pal.blogspot.com/) et Black Revolution (http://www.reverbnation.com/blackrevolution). Voir le groupe Facebook the Black revolution (الثورة السوداء) (http://www.facebook.com/groups/95956379406/).

Palestine 48 du Nord au Sud

Palestine 48 (Abû Snân) : Birds of Darkness (http://www.myspace.com/elzalam) (طيور الظلام) est constitué de Râmî Sim'ân (رامي سمعان) et de Walîd Mtânis (وليد مطانس). Voir Birds of Darkness band in nablus city فرقه طيور الظلام من نابلس (http://www.facebook.com/pages/Birds-of-Darkness-band-in-nablus-city-فرقه-طيور-الظلام-من-نابلس/142689879107216). Selon Laborio Sociale, "Il Rap palestinese – Intifada in musica", 24 mars 2010, "Di questo gruppo so poco o nulla. Sono riuscito ad ascoltare alcuni loro pezzi, molto entusiasmanti a dire il vero, ma a notizie stiamo a zero. Sono un duo formato da Nakhly Sima’an e Waleed Mtanis, entrambi di 19 anni (ma i dati sono del 2007). Provengono da Abu Snan, villaggio della Galilea. Il loro nome significa “Poeti della strada”. Non hanno alcuna idea sul perché abbiano scelto l’hip hop come mezzo di comunicazione: per quanto li riguarda l’hip hop li ha scelti."

Palestine 48 (Acre) : Arapiat (http://www.myspace.com/arapiat) (العرابيّات) est composé de 2 femmes, Safaa Hathot (http://www.facebook.com/safaa.hathot) (صفاء حتحوت) et Nahwa Abedelal (نهوى عبد العال) avec Charlie Shaaby (http://www.myspace.com/chuck69rap) alias Dj Chuck("Charlie Shaabi (born August 09, 1976) is a DJ and core member of the band ElectrowaveZ. Early life Born and raised in Acre, Israel, Charlie was trained in mixing music by his first tape cassette and Sampler from childhood. At the age of 17, he mixed songs recorded from the radio using the pause button on his cassette player. when he first got influenced by Electronic dance music and culture such as Snap –Enigma C&C Music Factory. He Started Composing Music on first Computer with the Dos Program Impulse Tracker. and also DJed in small event and parties, then he bought his first Yamaha CS1x keyboard and start composing Techno and Rave music in 1998 because of the influence from the Prodigy. Charlie visit the United States and discover the hip hop Genre on 1999 after falling in love with the underground gangster rap such as Dr Dre and Snoop Dogg and and from their he got his Nick Name Dj Chuck. while he learning about the hip hop culture, Charlie received a demo tape of his brother Richard singing Arabic Rap. It was a strange and weird thing for Charlie to listen to his Brother And his friends singing rap in Arabic language. Richard and his friends Mahmoud Shalaby and Waseem Akar the man behind the idea of the Arabic Rap, started their first band in Israel-Palastine called MWR. Because of the new invention of style the Arabic rap attract Charlie to come back. so Charlie Decided to came back to his studio in Acre and Help his friends and his brother Richi with the new Rap group MWR. the MWR got their popularity when Charlie come back and mange the band and release their first track that called "because you are an Arab" using his first Yamaha CS1x keyboard. The track become number one hit immediately because of the brave strong lyrics and hard protest attacking the government. the track become a hit and as well as the new Genre become more popular by the Arabs audience. the big success give them a huge popularity in a fast way even on the Israeli dance floor the become more desirable also in Tel Aviv clubs and lots of shows and festivals in the country and many events in the United State and France as well. unfortunately because of the issue of the songs and the political views for each of everyone in the band they breakup on 2004 and they leaved the Arabic hip hop dance floor for many new promising groups. and the members of the band start their own personal career. after the breakup Charlie become a manager and producer of hip hop group such as Arapiat - the first band that formed by two Muslim Arabian girls and other two Jewish sisters Athena and Baby S in 2005. Charlie brings big success to the groups and bring them many tours and Big Events In Germany, Sweden and Italy. Charlie become more then a producer and manager for some his favorite groups. in 2004 the Arabic Hip Hop Genre slow down a bit and Charlie didn’t give up and he focus on Producing hip hop Bands and Composing Professional beats to help the Genre Grow up. Charlie also decide to enrich his knowledge by study Professional Sound Engineering Music History and, Music Production at a private college called BMP, one of the biggest college in the country. while he studying at BMP Charlie become more Professional and start composing and Remixing in a brilliant way, way that give him special and uniquely quality to his character and personality by his all influence. Charlie composed and mixed oriental Arabic music with the grove of hip hop and dance music that haven’t heard before, Charlie’s official release track was Hawallom an old traditional Arabic wedding song.. The Hawallom track was in a House version mixed with Arabic Percussions and Vocal Sampled from real wedding and also video clips added to the Remix. the Hawallom got title of the second best song of the year in 2008 and number one hit for tree weeks in a local Radio Station. after his own success he Participate the Salmon dance Remix Competition of the Chemical Brothers with his brother Richard. the two brothers achieved on the latest top 5 on the Salmon Dance remix between more then 400 participators and got the second best remix. The Chemical Brotehrs was shocked by the oriental grove and mix. because they make it soo uniq and with an Arabic influence add Arabic Instruments Such A Oud and Nay. after this success the brothers got offers of remix other groups such as Nine inch Nails and Nude. in 2008 Richard come with the idea of developing new genre of music so he make ElectrowaveZ with his brother Charlie. ElectrowaveZ is an Arabic Electro Music mixed with Fusion and Oriental vibes. ElectrowaveZ Release their first Remix "Kano Ya Habibi" This is an old song of famous singer “Fairuz” the legend of the Arab world music lovers. and again the track was a big success and hit on the Radio. Another track of the band called Yalla singed with Soulshift Music promoted and distributed digitally on the internet and its available for download. This days ElectrowaveZ finishing their first album And releasing the new track “Aatini horeyati” – “Give me my freedom” So be ready for Arabic Electro Shock and Be sure that you don’t miss any of their show Because the brothers gonna work it out ." Voir SAFAA 3ARAPEYE (http://www.myspace.com/safaa3arapeye) et Safaa Arapeyat's Official Fan Club.. (http://www.facebook.com/groups/60063395390/). Voir l'émission d'Arte Backstage diffusée le 8 mai 2007 consacrée au "Rap israelo arabe" (http://www.arte.tv/fr/Backstage---Rap-israelo-arabe/1561462.html). Shinkicker (29 janvier 2018) classe le groupe parmi les 15 meilleurs artistes palestiniens de hip-hop. Selon Laborio Sociale, "Il Rap palestinese – Intifada in musica", 24 mars 2010, "Safaah Hathot per mantenersi vende telefoni cellulari; la sua amica Nahawa Abed Alaal, invece, quando non ha in mano il microfono, lavora in una profumeria. Le due ragazze, 21 e 24 anni, entrambe di Akko, hanno dato vita alle Arapyat, ovvero “Ragazze arabe che fanno rap”, e hanno dovuto superare non poche difficoltà per potersi esibire. “Quando abbiamo iniziato, qualche sconosciuto – gente di qui – veniva a dirci: ‘Siete donne, arabe e musulmane. Il rap non è cosa per voi’. Sapete, la comunità araba in Israele è conservatrice. Ma genitori e amici non ci hanno mai fatto mancare il loro sostegno. E adesso ai concerti abbiamo un buon seguito”, racconta Safaah. Nelle loro canzoni le Arapyat parlano anche dei problemi delle donne. Perché “la libertà delle ragazze musulmane è limitata e chiediamo che ci sia restituita. Non è questione di poter uscire con i ragazzi o di andare a divertirsi la sera. Ci vengono negati diritti ben più importanti, come poter studiare e lavorare, essere indipendenti. Molte di noi hanno il destino segnato: stare a casa, sposarsi, fare bambini”. Colpa della religione? “No, affatto: molti credenti hanno una mentalità aperta. I limiti vengono semmai da questa società, che è troppo conservatrice”. Allo stato attuale sembra che Safaah, con il nome di SAFAA 3ARAPEYE, abbia intrapreso la carriera solista, dato che la maggior parte dei brani in circolazione è solo a suo nome."

Palestine 48 (Acre) : M.W.R. (http://www.myspace.com/mwrap) ("MWR-arabic rap the band has start their career in 1999 by three friends who living in akko city that suffering crime drugs and low economic condition. the member of the group are Mahmoud Shalabi 23 Waseem Akar 25 and Richard Shaabi 23 they tired of been quiet for the situation. thats why they came with the idea of arabic rap with protest for message of peace. but for this time something new, the arabic rap. in original style. the band start at their on without any help, by taking the mic and singing in akko festival without any invitation. after that the get sympathy from alot of people. and then they released their first single "becouse your an arab" and the track became the nu 1 hit for tow weeks in their region radio station. this success brings many show at a dance bar, nightclubs, restaurants, school, and very big festivals and important events and the last important shows was in DIJON (FRANCE) and NEW YORK & SAN FRANCISCO. most of all the performing was front thousandths of peoples arabs and jews. the band also take a part with important cultural & educational campaign for children at school. they are the first arabic unique band. by their style that mixed the west hiphop with the east oriental instruments in a special way. the band get their publicity by the media and news paper and art magazine and popular tv shows, like the CNN, NTB, RTL, channels and LA MONDE ROLLINGSTONE and BLAG magazines. even a show for MTV dj music award. the group written their lyrics and taking a part with the music produactions. the music mixs composing and editing doing dj chuck (charlie shaaby) manager of the group. all member of the band has very talented side in music until now they have more then 15 songs many of them at radio station. the subjects of the songs are about sociality and politicaly problems and additional for the protest songs they have happy and groovy songs. the style of the show very special and unique. you can find more details and pics in our site the arabic rap."). Le groupe pionnier est constitué de Mahmoud Shalaby official (http://www.facebook.com/pages/Mahmoud-Shalaby-official/214655981885642) ("Mahmoud Shalaby is a Palestinian actor who lives in Israel, who was born in 19, july 1982 in the known old Palestinian city – Acre. Together with his friends, he founded one of the first Palestinian hiphop groups, MWR, which dealt with politics and social views and issues. He also participated in the Slingshot HipHop movie, which was directed by Jackie Reem Salloum. The film has won many awards across the world and was titled in most of the festivals as the best documentary film (in 2008). While he had a little Café in the old city of Acre, he got an opportunity to participate in the Jaffa film auditions, where he got the main role, and it was as his first acting role in a feature film. In addtion, the film has participated in the Cannes film festival. The film was realesed in 2009. Afterwards, he played in the film "A Bottle in the Sea of Gaza" (Une bouteille dans la mer de Gaza), a novel written by Valérie Zénatti. The Distribution date is futured to be in 28th of December, 2011. Mahmoud has also played in a short film "The Clock and the Man" (الساعة والإنسان) which is based on a short story written by the well known Palestinian writer Samira Azzam (1926 - 1967) who lived in Acre. The film was directed by Gazi Abu-Baker, and it was realesed in 2010. While working on a previous film, the director of "Les Hommes Libres" (The Free Men), Ismael Farroukhi, has contacted Mahmoud Shalaby and asked him if he can sing and play an instrument. Afterwards, Mahmoud came to France, and got an important role in the film, where he embodied the Algerian Jew singer, Salim Halali. After the film was screened and distributed in the 28th of September 2011, many reviewers have mentioned that Mahmoud Shalaby is the new revelation of the French Cinema, and that's because of his accurate embodiment of Salim Halali in the "Les Hommes Libres" film. One of Mahmoud Shalaby's personal interests is playing the Kawala instrument, which is an ancient Egyptian flute"), Waseem Akar (http://www.myspace.com/waseemakar) 25 ans et Richard Shaabi 23 ans dit Charlie Shaaby (http://www.myspace.com/chuck69rap) Dj Chuck. Shinkicker (29 janvier 2018) classe M.W.R. parmi les 15 meilleurs groupes palestiniens de hip-hop.

Palestine 48 (Acre, Majd al-Krûm) : Sm Rap 48 Palestine (http://www.youtube.com/SmPalestine), فرقه سم راب عربي "صرخه السم بالسلام" סם שלום Sm Rap peace (http://www.youtube.com/watch?v=mMxnFE9OIL0) (Song For Peace in Arabic & Hebrew & English שיר לשלום בערבית & עברית ואנגלית اغنيه عن السلام بالعربيه والعبريه والانجليزيه), فرقه سم (http://www.myspace.com/SmRap48) et فرقه سم من فلسطين Sm Band From Palestine (http://www.facebook.com/pages/فرقه-سم-من-فلسطين-Sm-Band-From-Palestine/218439136772) (SmRap48@gmail.com).

Palestine 48 (Sakhnîn) : The Black Army (http://www.myspace.com/blackarmy48) ("The Black Army " Al Jaish el Aswad " الجيش الأسود is a rap crew created by Osama and Mustafa From Sakhnen City, palestine 48. They Started rap in 2003, when they was in the teen age, and they decided to solve their problems and the teenagers problems and the palestenian Issue by the arabian rap and the hiphop ") (الجيش الأسود) est constitué d'Usâma Cha'bân (اسامه شعبان) et de Mustafâ Châhîn (مصطفى شاهين). Voir également The Black Army الجيش الاسود (http://www.facebook.com/pages/The-Black-Army-الجيش-الاسود/222288017796117) et osamash3ban's channel (http://www.youtube.com/user/osamash3ban ).

Palestine 48 (Sakhnîn) : ~*¤ô§ô¤*~NaiRoN~*¤ô§ô¤*~ (http://www.myspace.com/mcnairon). McNairon est l'alias de Majd Abû Sâlih (مجد ابو صالح نيرون ).

Palestine 48 (Nazareth) : khalifa E. (http://www.myspace.com/khalefa).

Palestine 48 (Nazareth) : Roparaa ربراء (http://www.reverbnation.com/Roppar). Roparaa (http://www.myspace.com/roparaa) ("Roparaa-Nazareth Its a Palestenian Rap Band was founded since 2009 by 3 young rappers : Mohammed Qowasem, Hazem Manasra And Kamel Badarni, and each of them has experience in rap music before the band was founded and each of them live in a different location from each other but there is no difference in the environment within where they live and each had a simillar hard life story and also could be called miserable and therefor they noticed that its important that for a young palestenians who lived under the israeli occupation and they had to capture the moment in a artistic way. the subjects that the band try to advertise through their music talk about domistic cases, political and somtimes economic, the band try to connect between these subjects and relate it with the israeli occupation since 1948 and still going on and on till these days. the reason behind the foundation of the band not only their love to the music but also there interest to awake and to warn the new generation inside the 48 territory, gaza and west bank, secondly to pass a message outdoor to the west about the reality of what's happening in palestine, and there is no interest of profit making by the band, the 3 young rappers write the lyrics by them self and work hard to improve there achevement. the band record their songs music in underground studio which belong to "We7" band in Nazareth - وهي فرقة راب عربي فلسطينية تأسست في عام 2009 من قبل 3 شبان : محمد قواسم, حازم مناصرة وكامل بدارنة كل منهم لديه خبرة في الموسيقى من قبل تأسيس الفرقة, وكل واحد منهم اتى من مكان مختلف عن الاخر لكن لا اختلاف في البيئة وحياة المعاناة اللتي عاشوها , لذلك فهم رأوا انه من الضروري كشبان فلسطينيين تحت الاحتلال الاسرائيلي توثيق الاحداث بطريقة فنية . المواضيع اللتي تطرحها الفرقة من خلال الاغاني هي مواضيع تعالج قضايا اجتماعية, سياسية وأحياناً اقتصادية . ويقومون بربط هذه القضايا بقضية الاحتلال الاسرائيلي منذ العام 1948 . والسبب وراء تأسيس الفرقة ليش فقط حبهم للموسيقى بل أيضاً سعيهم لتوعية الجيل الصاعد داخل الاخط الاخضر, غزة والضفة الغربية اولاَ, ثانياً يهدفون الى ايصال رسالة للعالم الغربي حول ما يجري حقاَ في فلسطين, وجدير بالذكر انه لا يوجد من وراء تأسيس الفرقة اي هدف ربحي او تجاري. يقومون اعضاء الفرقة بكتابة كلمات الاغاني بنفسهم ويعملون بجد على التقدم, كما يقومون بتسجيل اغانيهم في استوديو التحت ارضي في الناصرة التابع لفرقة "ولاد الحارة"). Voir également Roparaa ربراء (http://www.facebook.com/Roppar) et RoppaR (Roparaa)... Rap Band !! (http://www.facebook.com/groups/97733238365/). Le groupe est constitué de Mohammed Qowasem (http://www.facebook.com/mc.qowasem) (محمد قواسم), Kamel Badarni (http://www.facebook.com/kamel.badarni) (كامل بدارنة) (كامل بدارنة) et Hazem Manasra (بسحل رابرز) (http://www.facebook.com/hmanasra1) (حازم مناصرة).

Palestine 48 (Nazareth) : el-m[i]c (http://www.myspace.com/mcbiboy) ("Ibrahim Abu Asa'd ( el-m[i]c ) Was Born in Nazareth, 1994. He Started His Way In January, 2009, Palestinian Arabian Rapper, will Arrive soon .. and Alot Of Thanks For Every One Who Helped Me And Supported Me! Bashar Barghouthy From Da FreeDoms Rap Band D.R Da Dynamic Rapper - Mohhamed Al Farra From Da P.R Da Palestinian Rappers Rapper Fk From Flame Boys Haitham khaliliye From Yaffa (H-Tamo Studio) Friends And All.... el-m[i]c Produced His First Song .. Called "Palestine" And It Talk About The The General Situation In Palestine.. at 7 of may he Record a new song to his Girl Friend because her Birthday and it called.. "Babda Bkilmet Ba7ibek" then he recorded a new Hit Ft. Rapper Fk From Flame Boys "el Toyor el Bakye" and he are working on a new hit Feat. MC Hazem From Roppar Band Salamat Ya Warde ..! el-m[i]c. Influences : Bashar Barghouthy From Da Freedoms Band.. Tamer Nafar From DAM Band.. Mohhamad Al Farra From Da Palestinian Rapperz Band.. Rapper Fk From Flame Boys Band"). Ibrahim Abu Asa'd (http://www.facebook.com/profile.php?id=1171424250) (إبراهيم أبو أسعد) (المايك) alias MC-BiBoY dispose d'un groupe Facebook el-m[i]c (http://www.facebook.com/groups/50067152023/).

Palestine 48 (Nazareth) : Dmar Understud!yo (http://www.myspace.com/dmarug) ("Dmar – Arabic for Destruction – is the freshest band in the Palestinian Hip Hop scene and one of the most mentioned, the band was formed at late 2007 by Amani Tattur form Reine Village near Nazareth and Mai Zarqawi from Majd el Krum Village in the north of what is now called Isreal. Both girls are under the age of 15 and already made a huge name in the Palestinian Hip Hop scene, Dmar is now one of the most requested bands to perform live due to the uniqueness and tremendous talent that both girls have. On why did they start rapping, Mai says:” we find Hip Hop as a simple way for us to convey our young voices to our surroundings, people can really here what two young girls are saying between kicks and snares”. The band has already recorded two songs in the “Under Ground Studio” in Nazareth, and is currently working on new material to release. The first single of Dmar is entitled “School” and it speaks about the girl’s reflection of the school they go to, from personal to more wise deep reflections on the school curriculum and the differences they see between their schools and the Jewish schools, the song was a major hit in no time. After the success of the first hit, Dmar recorded their next song witch is called “The Third Generation”, the song talks about saying to no to becoming Israelis over time, and refusing to forgetting our roots even if time and politics are forcing us to do that. In the song |”The Third Generation” – “Dmar” are featuring Adi Krayem from “We7” band in the chorus. Dmar are addressing a huge range of issues on their huge media coverage, as Amani mentions:”we are addressing all the forms of the occupation, from land and political occupation, to mind, media and cultural occupation”. The band will participate in the “Under Ground Mixtape CD, witch will include all the rappers in the Palestinian scene, and is currently working on more hit songs to release. For further information, Please contact: www.myspace.com/dmarug dmar.rap@gmail.com Alaa Bishara ' We7 ' Dmar’s Manager: +972 - 545430473 wladel7ara@gmail.com دمار هي أحدث فرق الراب الفلسطيني داخل الخط الأخضر وأكثرها ذكراً على الألسنه, الفرقه مكونه من أماني طاطور من الرينة ومي زرقاوي من مجد الكروم, أماني ومي هن أصغر الميم ميم العرب سناً حيث أن الفرقة نشأت في تاريخ 11.7.2007 حين كان عمر أماني 14 سنة, وعمر مي فقط 13 سنة. عن أسباب تكون الفرقه تقول مي : "وجدنا ان الراب طريقة جيدة وتناسبنا نحن الجيل الجديد في التعبير عن انفسنا, وانها الطريقة الوحيدة التي تجعل الجميع يسمعنا كفتاتان عربيتان بجيل صغير". أصدرت الفرقه حتى الأن أغنيتان, الاغنية الاولى بعنوان "المدرسة" والتي تم تسجيلها في استوديو "التحت ارضي" والتي تعرض فيها أماني ومي وجهة نظرهن على حياتهن في المدرسه والمشاكل التي يعانون منها من اساليب التعليم ومواضيع اتعليم والى المنهاج ولكن مع هذا تعترف أماني "في النهاية يجب علينا التعليم لانة اجباري لمستقبل افضل".الاغنية الثانية لدمار بعنوان "الجيل الثالث" أيضا من إصدار"التحت ارضي" بإشتراك عدي كريم من "وح – ولاد الحاره" والتي تتكلم عن فشل محاولة إسرائيل تهويد فلسطينيي الداخل وتحاول توعية الجيل الجديد سياسياً واجتماعياً كما تقول أماني:"بطريقة أو بأخرى ستدخل كلمات الأغنيه الى اذان المستمعين". تحاول "دمار" ايصال الرساله الي ابعد الاماكن, حيث تعاملت الفرقه مع مؤسسات وجمعيات مختلفة للوصول لابعد ما يمكن لها من حدود مثل مؤسسة حقوق الانسان, جمعية الكرامة ومجموعة حقنا بدعم جمعية الدفاع عن حقوق المهجرين وجمعية صوت العامل النقابية وحقوق الانسان, وعرضت الفرقه حتى الان على العديد من المسارح المحليه مثل الناصرة, الرينة, سخنين, مجد الكروم, كابول, البقيعة وغيرها. ناهيك عن الإحتلال السياسي, الإجتماعي والجغرافي تتحدث الفرقه أيضا عن الإحتلال الإعلامي والفني :"هدفنا هو إضافة نوع جديد من الفن إلى خارطة بلادنا المحتله فنيا, إعادة اللاجئين الى خارطة بلادنا المحتله سياسياً وإعادة الضمير للأجيال المحتله أخلاقياً". تعمل "دمار" حالياً على أغاني جديده في استوديو التحت أرضي, وستشترك في ألبوم "وحده بالتحت أرضي" والذي سيصضر عام 2009 للإتصال: علاء بشارة من فرقة ولاد الحارة"). Voir également Dmar Rap (http://www.facebook.com/pages/Dmar-Rap/28468421498). Sous la direction de 'Alâa' Bishâra (علاء بشارة), Dmar (دمار) est constitué de Amânî Tâtûr (أماني طاطور) et de Mayy Zarqâwî (ومي زرقاوي). Selon Laborio Sociale, "Il Rap palestinese – Intifada in musica", 24 mars 2010, "È la band più fresca della scena hip hop palestinese. È stata formata a fine 2007 da Amani Tattur, proveniente da Reine, vicino a Nazareth, e Mai Zarqawi da Majd El Krum, un villaggio a nord di quello che oggi è chiamato Israele. Entrambe le ragazze hanno meno di 15 anni e si sono già fatte un nome nella scena hip hop: Dmar è oggi uno dei gruppi più richiesti dal vivo grazie all’unicità e al talento formidabile delle due giovani. Sui motivi della loro passione per l’hip hop, Mai dice: “Troviamo il rap un modo semplice per trasmettere le nostre voci all’ambiente che ci circonda”. La band ha già registrato due canzoni agli Underground Studio di Nazareth e sta attualmente lavorando su materiale nuovo. Il primo singolo di Dmar è intitolato “School” ed è una riflessione sulla scuola che frequentano e sulle differenze che colgono tra i loro istituti e quelli ebraici. La canzone è divenuta un grande successo in pochissimo tempo. In seconda battuta hanno registrato “The 3rd generation”: la canzone parla del rifiuto, in quanto palestinesi, ad assimilarsi alla società israeliana e alla lotta per mantenere vive le loro radici. In questo pezzo sono affiancate dalla voce di Adi Krayem dei WE7. Amani afferma: “Stiamo affrontando tutte le forme di occupazione, da quella della terra, l’occupazione politica, a quella delle menti, portata avanti dai media, l’occupazione culturale”. La band ha partecipato al “Under Ground Mixtape”, Cd che comprende tutti i rapper della scena palestinese, e sta attualmente lavorando alla realizzazione del primo album."

Palestine 48 (Nazareth) : We7 - Wlad El7ara (http://www.facebook.com/pages/We7-Wlad-El7ara/16549418358) ("We7 – Wlad el 7ara “Sons of the Hood”. “We7 – Wlad el 7ara” are a Palestinian hip hop group from the city of Nazareth and has been since 2001, group members are “Anan Qssem 25 - Adi Krayem – 24 and Alaa Bishara – 23 ”. We7’s musical style is a cultural mixture combining western hip hop beats and eastern melodies – sounds of O’ud, Qannun and eastern violent take a leading part in the band’s productions. We7’s lyrics convey street wisdom as they address the social and political problems they face as a minority of Palestinians living inside Israel. We7 became one of the leading groups in the local scene through taking part in most of the Palestinian hip hop projects – concerts, websites and musical releases, they reached local mainstream in 2007 when they released there first demo album entitled “Music to all my people” which was distributed for free across Palestine – over 5000 copies, the album was produced and recorded in the band’s studio in Nazareth “The Underground Studio”. We7’s international breakthrough is anticipated; they premiered in Amsterdam, Tunis, Greece and Oslo and has been a part of the documentary “Sling Shot Hip Hop” which is being viewed in film festivals around the world and has already taken an award in Sundance film festival in the USA. The group is currently working on their first international album “Voice Of the Silence” and a self entitled movie by Palestinian director Anwar Hassan, both are to be released in fall 2009. Influences : 2Pac, Nas, Talib Kweli, Mos Def, Jay Z, Pharoahe monch MBS, DAMl, Mahmoud Darweesh and Tawfeeq Zayyad"). Leur dénomination ((وح- ولاد الحارة)) signifie fils du quartier. Voir également leur site WE7 Band | The Official Web-Site (http://www.we7ug.com/), la chaîne We7 (http://www.youtube.com/wladel7ara) et We7 – Wlad el 7ara (http://www.myspace.com/we7). Le groupe est composé de Bahaa Rashed alias Salaman (http://www.facebook.com/pages/Salaman/120223701345019) ("It’s very rare to find young rappers with the consciousness that he has, its even more less likely to find conscious rappers with the skills that “Salaman” got. “Bahaa Rashed” (22) is “Al Salaman”. Salaman comes from a small village called Reneh, located in the north of what is now called Israel, Reneh is a five minute ride away from Nazareth, the historical city and the biggest city for Palestinians living in Israel. Bahaa’ started his musical career as a part of “Al 48” rap band with his college Essam Boulos. The band was named after the year that Isreal built a country over the remains of Palestine, and made it very obvious that they are a political rap band. In 2001 when Palestinian Rappers started to appear all over Israel, Bahaa’ and Essam both Hip Hop fans decided that they should be a part of this Cultural Revolution. Since they started, “Al 48” gained a name of a hardcore group, a one you don’t want to get into a “pen and pad fight” with, touching a wide range of issues from politics, to social and personal issues, reflecting street wisdom and revolutionary point of views. When asked about how do they write their lyrics Bahaa simply answered “we talk from the heart, about what we go through as individuals, as streets, cities and as a culture.” The band’s most worth mentioning project was participating in “SlingShot HipHop Soundtrack” – the movie that one various prices around the world including “Sundance film festival” at 2008. After 2008 Bahaa left “Al 48” to continue rapping on his own and his first release was at the “HipHop for Gaza Album” witch included all of the names in Palestinian hip hop –both locally and internationally” with the song “Siege On Gaza”. Bahaa’s next couple of releases were street hits: with his new name “Al-Salaman” meaning “Peace Man” he released his re introduction song self titled, and participated in the hit “Signal’s War” featuring Eyad Kassem and Anan from “We7 – Sons of the Hood”.“Al Salaman” is now working on his first album at the “Under Ground Studio” in Nazareth, the album should be released at 2011, but until then he won’t leave us waiting by releasing one single after the other. The streets are waiting.) [Voir également salaman (http://www.myspace.com/akasalaman)], de 'Anân Qsaym (عنان قسيم), Adi Krayem (عدي كريم) et 'Alâa' Bishâra (علاء بشارة).Le groupe est sur Twitter depuis 2009 We7 (https://twitter.com/We7rap). Selon Laborio Sociale, "Il Rap palestinese – Intifada in musica", 24 mars 2010, "WE7 è uno dei gruppi leader della scena hip hop palestinese. Adi Krayem (22), Anan Qsem (23) e Alaa Bishara (21) hanno formato il gruppo nel 2001, dopo aver deciso di condividere i loro scritti e creare canzoni. Anan e Alaa provengono dalla città di Nazareth, che si trova a nord di quello che ora è chiamato Israele, mentre Adi proviene dal villaggio di Kana, vicino a Nazareth. Pur essendo di nazionalita israeliana, WE7 si considerano un gruppo rap palestinese. Quando gli è stato chiesto perché, Alaa ha risposto: “Ipotizziamo che la Francia domani conquisti Israele: gli israeliani diventeranno improvvisamente francesi? Io non la penso così, e poi Israele è ancora più giovane di mio nonno”. Il contenuto dei testi dei WE7 è un riflesso della loro vita ed è molto legato al conflitto israelo-palestinese. La musica, invece, è una speciale combinazione di culture, unisce melodie orientali e ritmi occidentali. Vale la pena accennare al ruolo di primo piano che il gruppo ha avuto nel Cd “ArabRap.net” del 2002, che ha venduto oltre 10.000 copie a livello locale, e nel film “Sling Shot Hip Hop” del 2008, presentato in numerosi festival cinematografici di tutto il mondo. WE7 ha anche preso parte alla “European palestine Hip Hop Tour 2008” e a centinaia di altri spettacoli ed eventi organizzati in tutta la Palestina. Nel 2007 è stato pubblicato il loro primo demo, prodotto nello Studio Underground, che ha venduto circa 5.000 copie in Palestina. Per il loro primo videoclip “Tu’ul mfaker shu?” si sono avvalsi della collaborazione del giovane regista palestinese Sari Bisharat. Il loro primo vero e proprio album dovrebbe essere uscito nel 2009 con il titolo “Sot El Samt”, che significa “Voce del silenzio”. Le influenze musicale dei WE7 comprendono 2Pac, Nas, Talib Kweli, Mos def, Jay Z, Mbs, Pharoahe Monch, Dead Prez, Notorious BIG, mentre per le liriche le ispirazioni arrivano da Mahmoud Darweesh, Tawfeeq Zayad, Fadwa Tuqan ed Edward Said. Negli ultimi due anni l’interesse attorno a questo gruppo è aumentato notevolmente grazie anche alle performance a livello internazionale. I WE7, inoltre, sono fra gli artisti più votati sul sito internazionale www.naseeb.com, un social network con oltre 350.000 iscritti."

Palestine 48 (Nazareth) : Eyad BC (http://www.myspace.com/eyadbc). Selon Laborio Sociale, "Il Rap palestinese – Intifada in musica", 24 mars 2010, "L’hip hop è formato da vari elementi inseparabili. Mc, break dance, graffiti art, dj e beat boxing sono le pietre che tengono l’hip hop insieme. Eyad Kassem, in arte Eyad-bc, è un maestro nell’arte del beat boxino, che consiste nella capacità di imitare tutti i suoni di una batteria (percussioni, piatti ecc.) e di altri strumenti con l’uso della voce. Cominciata la carriera all’età di 14 anni, Eyad Kassem è diventato presto uno dei beat boxer più abili nella scena hip hop palestinese. Eyad è un elemento indispensabile e di primo piano negli Underground Studio di Nazareth ed è raro trovare mc’s che rappano senza Eyad, che dà le prime battute. Ha suonato con quasi tutti i rapper della scena palestinese come beatboxer, guadagnandosene il rispetto, e il suo singolo “Al hya hek” (“That’s life”) ha rappresentato uno delle migliori produzioni dell’Underground Studio. Eyad ora sta lavorando al suo primo album e quando gli viene chiesto se porrà più attenzione al rap o al beat boxing, risponde: “È un album di hip hop, troverete tutto lì”. Essendo studente e lavoratore, è difficile per Eyad finire il suo album in fretta. Quindi bisognerà aspettare."

Palestine 48 (Nazareth) : Survivors (https://myspace.com/survivorsrap). Selon Laborio Sociale, "Il Rap palestinese – Intifada in musica", 24 mars 2010, "È un duo formato da Morad Abo Ahmad (Mcm-Moradios) e Shafek Khlief (Scorpion). Si definiscono “solo una normale coppia di Nazareth, città palestinese che, per uno strano caso, ora sta in Israele”. Hanno iniziato a rappare in tenera età solo per il gusto di farlo. Morad era un grande fan dell’hip hop e quando è nata una scena in Palestina si è unito a Shafek, che era alla ricerca di un gruppo al quale aggregarsi. Gli inizi non sono stati facili, per una serie di motivi, gli ostacoli sono stati molti. Proprio per questo hanno deciso di chiamarsi “Survivors”. Come altri gruppi palestinesi si appoggiano agli Underground Studio e sono al lavoro sul loro primo album, che uscirà presto. La loro massima è : “Il mondo appartiene a chi crede nella bellezza dei suoi pensieri”.

Palestine 48 (Nazareth, Chafa Amr) : The Freedoms Band (http://www.myspace.com/thefreedomsrap) ("The Freedoms rap band, Two arabian guys from the 48's arabs, in the Occoupied Palestine, 20 years old, who started to rap in 2006, and they produced alot of songs thats talking about the Palestinine Issues, About the Society, Love, Peace, Religious And about Freedom, they have now about 15 songs, and they started to make the Album Revolution . they featured alot of arabian rappers from Morroco and Egypt, and they performed in alot of places in Palestine, and they have a goal to be perform for all over the wolrd, to send the message about the palestinine Suffer for all the people, but the economy moods of all the Rappers in Palestine isnt good, so they have alot of problems to connect with the world, and perform out, and maybe also to record the songs as they can, because there is no communites who can support this talent and this kind of music . anyway, The Freedoms Band Wish u enjoy their music :) Bashar Barghouthi, Mahmmoud Abbasi, Nazareth - Shefa'amr"). Voir également le groupe Facebook The Freedoms Hip Hop Band (http://www.facebook.com/groups/11916386989/). Le groupe est constitué de Bashar Yousef Barghouthi (Lyrcialy Barghouthi) (http://www.facebook.com/sex.ase) et de Mahmoud Abasi (http://www.facebook.com/mahmoud.abasi1).

Palestine 48 (Tîra) : Taste Of Pain (http://www.myspace.com/topforever) ("Taste of Pain is one of the Leading Arab Hip Hop acts since 2002, when it was co founded by Ibrahim (MC sultan) and Aladin from the Arab town of Teera, Arab 48. After several years of mainly live shows and underground mixtapes they joined forces with Jewish Israeli Dj/producer Gidon Eli (Dj Dao) and formed the first Arab Israeli hip hop collaboration. After we astonished the audience (both local and from neighbor states) with the first radio and internet releases more and more fans are demanding new material and an official album from us. we opened our own professional studio (Triangle productions) and came up with a strong concept for our debut album. “El Hijra”-the immigration. This is a story of a young generation confused by the temptations of the future and the restrictions of the past, a story of people willing to lead the way and ask the right questions. The immigration is not only the reality of millions of Muslims in Europe but also the spiritual journey of every man and woman living a hard life. طعم الالم.. علاء الدين وابراهيم سلطان..من قواد الراب العربي واحدى الفرق القليله الملتزمه..التي استطاعت الوصول الى العالم بارجاءه رغم ان اغانيها باللغه العربيه.تكونت فرقه طعم الالم سنه 2002 من قبل علاء الدين وابراهيم سلطان.شابان من مدينه الطيره من عرب ال.48.بعد سنين من الغناء في الحفلات والاشتراك ب عده ميكس تيب تم التعارف على دج داو, موسيقي اسرائيلي وناشط بحركه السلام..يشترك مع الفرقه بحلمها نحو تحقيق عالم افضل.نحو اصلاح المجتمع و نحو مسح العنصريه. وتم العمل على افتتاح استوديو المثلث وتكوين شركه تري انجل برودكشنز.سرعان ما اشتهرت اغاني الفرقه وحققت نجاحا كبيرا سواءا عن طريق الانترنت او الراديو, واستطاعت الفرقه بكلمات اغانيها وقوه معانيها في تقديم الراب العربي بصوره مشرفه.البوم الفرقه الاول (الهجره) هو قصه الجيل الجديد الذي يحاول التوفيق ما بين الحفاظ على ماضيه العريق وبين مواكبه المستقبل بكل تجديداته.هو البوم يقود الكل وياتي باهم اسئله ممكن ان تطرح بهذا الزمن.البوم الهجره يفرض ويقص واقعنا وواقع العرب والمسلمين في مجتمعاتنا ومجتمعات اوروبا..ولكنه يتطرق كذلك لحياه كل انسان يعيش معاناه"). Voir également Taste of Pain (http://www.myspace.com/tasteofpain). Taste of Pain (فرقة طعم الالم) est constitué d'Ibrâhîm MC sultan (ابراهيم سلطان) et d'Aladin 48 (http://www.myspace.com/aladinrap) ("علاء الدين هو احد مؤسسي فرقه الراب المشهوره (طعم الالم).عام 2002 اسس علاء الدين وابراهيم سلطان الفرقه, والتي سرعان ما انتشرت اغانيها ولاقت نجاحا كبيرا.اغاني كاغنيه "طعم الالم" او اغنيه "13 شهيد" لاقت نجاحا كبيرا.تمتاز الفرقه بكلماتها المؤثره و المعبره.وتعمل حاليا على البومها "الهجره"مع الدج الموهوب دج داو وذلك رغم ان علاء الدين يقطن حاليا في المانيا.ويمتاز علاء الدين بصوته الهادئ و اسلوبه (الفلوو)..والذي رغم سرعته الا انه مفهوم تماما.يعمل علاء الدين حاليا مع عده دج من المانيا, مثل ال دج المعروف دج فو. في لقاء لعلاء الدين مع احدى محطات الراديو يقول. "يزعجني سؤال البعض لي لماذا اغني الراب..كان جوابي دائما..لا تطلقوعلي اسم رابر..انا فقط انسان يرفض ان يعيش في عالم من هذا النوع..انا فقط انسان يبغي اصلاح مجتمعه و عالمه..انا فقط انسان يرجو الا يرى مزيدا من الدموع..انا انسان يرفض السكوت كما يفعل معظم الناس..لا تتسرع بالحكم..فقط اصغ لي..فقط - Aladin is the member of the known band "Taste of Pain." together with MC sultan, he established the band in 2002. both members write and sing in Arabic.. because both come from the Arabic city Tira (arab 48).Songs like “13 shaheed” and “ta3m El 2alam” made the group very famous in the Arabic world. The band is known with its significant text and touching words. Aladin became known through his quiet deep voice and his particular Flow. already 2003, Aladin flew to Germany to study there. still, the two members work on their album "Alhijra" together with the talented dj Dao in Studio “ha meshulash”. Aladin works on new songs with known Djs from Germany like Dj Fo momentarily and his prevailing solo-Kariere is very successful. in an Intervew in the radio, Aladin says: “it always disturbs me if some ask me why I do that (Rap and Musik). I always say that I am no rapper. I am a human being, that doesn’t want to live in such a world, .. I am another, that tries to change the world and the society to the better, .. I am only one, that doesn't want to see any tears, .. I am only one, that doesn't want to be silent, like the most People nowadays….. say nothing about me or my music").

Palestine 48 (Rana) : Al 48 (http://www.myspace.com/al48rap) ("“Bahaa’ Rashed” and “Essam Boulos” 20 years old founded the rap band “Al-48” in Arabic “The 48’s”. Bahaa’ and Essam come from a small village called Reneh, located 4-5 Km in the northren of what is called today Israel, the name of the band dervied from the historcal back-ground, when the nakkba happened to the palestinian people and isarel was established as Jewish state. In 2001 when Palestinian Rappers started to appear all over Israel, Bahaa’ and Essam both Hip Hop fans decided that they should be a part of this cultural revolution and chose the name “Al 48” because they thought that their lives in Reine reflects the lives of the whole Palestinian youth under Israeli’s oppression. Since they started, “Al 48” gained a name of a hardcore group, a one you don’t want to get into a “pen and pad fight” with, touching a wide range of issues from politics, to social and personal issues, reflecting street wisdom and revolutionary point of views. When asked about how do they write their lyrics Bahaa’ simply answered “we talk from the heart, about what we go through as individuals, as streets, cities and as a culture. Be true to your self and you will find it pouring on paper”. “Al 48”’s main goal is spreading awareness among the conquered minds of the Palestinians with blue passports, and revealing a hidden truth to the public eyes - one less happy and more true - from drug problems in Arab neighborhoods, racism and the political reasons of these problems. And they are doing so with amazing talents and techniques. Flows and attitudes hard to find at Brooklyn are found in Middle Eastern “Reneh”. So far “Al 48” are still an underground group mainly because of the problems of getting a record deal and the problems of making it to the media as an Arab among Israel’s majority of Jews and their demographical paranoia, but still, as an underground group they still have managed to release some hit singles that spread widely among hip hop fans in the area, they are currently working on their first full album and will be released fall of 2009. The streets are waiting."). Le groupe est constitué de Bahâ' Râchid alias salaman (http://www.myspace.com/akasalaman) ("It's very rare to find young rappers with the consciousness that he has, its even more less likely to find conscious rappers with the skills that "Salaman" got."Bahaa Rashed" (22) is "Al Salaman". Salaman comes from a small village called Reneh, located in the north of what is now called Israel, Reneh is a five minute ride away from Nazareth, the historical city and the biggest city for Palestinians living in Israel. Bahaa' started his musical career as a part of "Al 48" rap band with his college Essam Boulos. The band was named after the year that Isreal built a country over the remains of Palestine, and made it very obvious that they are a political rap band. In 2001 when Palestinian Rappers started to appear all over Israel, Bahaa' and Essam both Hip Hop fans decided that they should be a part of this Cultural Revolution. Since they started, "Al 48" gained a name of a hardcore group, a one you don't want to get into a "pen and pad fight" with, touching a wide range of issues from politics, to social and personal issues, reflecting street wisdom and revolutionary point of views. When asked about how do they write their lyrics Bahaa simply answered "we talk from the heart, about what we go through as individuals, as streets, cities and as a culture." The band's most worth mentioning project was participating in "SlingShot HipHop Soundtrack" – the movie that one various prices around the world including "Sundance film festival" at 2008. After 2008 Bahaa left "Al 48" to continue rapping on his own and his first release was at the "HipHop for Gaza Album" witch included all of the names in Palestinian hip hop –both locally and internationally" with the song "Siege On Gaza". Bahaa's next couple of releases were street hits: with his new name "Al-Salaman" meaning "Peace Man" he released his re introduction song self titled, and participated in the hit "Signal's War" featuring Eyad Kassem and Anan from "We7 – Sons of the Hood". "Al Salaman" is now working on his first album at the "Under Ground Studio" in Nazareth, the album should be released at 2011, but until then he won't leave us waiting by releasing one single after the other. The streets are waiting. For Further Information contact: Bahaa Rashed (+972) 542870288 akaslaman@gmail.com http://www.myspace.com/akaSalaman") et de 'Isâm Bûlus. Voir également SalaMan (http://www.facebook.com/groups/55010919459/) et Bahaa Rashed (http://www.facebook.com/bahaa48). Selon Laborio Sociale, "Il Rap palestinese – Intifada in musica", 24 mars 2010, "È molto raro trovare giovani rappers con la consapevolezza che hanno questi ragazzi. Il gruppo è formato da Bahaa Rashed ed “Essam Boulos, entrambi di 20 anni. Provengono da un piccolo villaggio chiamato Reneh, che si trova 5 chilometri a nord di ciò che è chiamato oggi Israele. Il nome della band deriva dalla data della Nakba, la creazione dello Stato ebraico, che ha sancito la cacciata del popolo palestinese dalle sue terre. Nel 2001, quando i primi rappers palestinesi sono apparsi in Israele, Bahaa ed Essam hanno deciso che dovevano prendere parte a quella rivoluzione culturale e hanno scelto il nome AL 48, data simbolo dell’inizio delle sofferenze del popolo palestinese. Sin dall’inizio si sono guadagnati un nome sulla scena hip hop. I loro testi toccano una vasta gamma di temi, dalla politica alle questioni sociali e personali, riflettendo la saggezza di strada e il punto di vista rivoluzionario. Alla domanda sul modo in cui scrivono i loro testi, Bahaa risponde: “Arrivano dal cuore, da quello che ci succede come individui che vivono sulla strada”. L’obiettivo principale di AL 48 è diffondere la consapevolezza tra le menti dei loro fratelli, rivelando verità nascoste agli occhi del grande pubblico, le meno felici e più vere, dai problemi di droga nei quartieri arabi al razzismo. E lo stanno facendo con un talento straordinario e grande tecnica. Finora AL 48 è ancora un gruppo underground, soprattutto a causa della difficoltà di ottenere un contratto discografico e della paranoia demografica dello Stato ebraico, che vede nella diffusione dell’arabo cantato una minaccia. Come gruppo clandestino hanno prodotto alcuni singoli di successo, che hanno avuto un buon riscontro tra i fan dell’hip hop della zona. Attualmente stanno lavorando al loro primo album, di prossima uscita."

Palestine 48 (Mu'awiya) : S.O.P - Scream Of Peace (http://www.reverbnation.com/sopscreamofpeace). Scream Of Peace (http://www.myspace.com/screampeace) ("sop is a rap band from mawia an palastain 48 " isreal" we are ahmad abed agbaria 15 & fadi mahmod mhameed 15 year we have meet in the school in the 2005 when we have a cors, in the cors i was asked fadi if he was know wat is "rap&hip hop" and fadi was love the hip hop and listen to dam&mwr bands after 2 days i went to fadi and we want to make arap band in 2006/8 we have the first song "srkht alslam" scream of peace and the name of the band came from the song and after that we have 3 song in 2007 and in 2008 we work in the first albom in name"mzkrat". Influences : Nage El Ale, G`asan Kanfane, Fadwa Toqan, Ahlam Mostg`ame, Tawfeq Zeyad, Malcom X, Marsel Khalefa, Fayroz, Majda El Rome, El Shekh Emam, The Notorious BIG, Gorge Habsh, Edward Said, Nas, Krs One"). Voir également Sop Rap (صرخه السلام) (http://www.facebook.com/soprap). Scream of Peace (صرخة السلام) est constitué de MC Ahmad Agbaria (http://www.facebook.com/mc.a3.sop) (أحمد عبد اغبارية) et de Fâdî Mahmûd Mahâmîd (فادي محمود محاميد), dit Fadi Skull Sop (فادي محمود محاميد)‏ (http://www.facebook.com/FadiSkullSop) [Voir également Fadi Skull (http://www.myspace.com/fadiskull) et la chaîne Fadi Skull S.O.P Rap (http://www.youtube.com/user/fadiskull)].

Palestine 48 (Qalansuwa) : Anger Boys (http://www.myspace.com/angerboys) ابناء الغضب) ("The band was founded three years ago; throughout this time it traveled the country from the north to the south. From scattered singles here and there to an unofficial compiled CD, the band has attracted a significant number of fans in the country and abroad. From Qalanswa, a small city on the western coast of palestine, Yahya, Muhammed and Ward have taken over Palestine and the adjacent countries, artisticly speaking. They always had bumps on the way during these three years, but despair never took over them; they always did and do strive to uphold the cause of the 1948 Palestinians and all Palestinians in general. Furthermore, this is not the only issue resonant in their songs; there are presonal and local issues that are addressed in their singles. Their style is is distinct: their art is collective, and it merges hip-hop music with classical arabic music, propagated in a captivating music environment with "stinging" words. Since "Ana Arabi" & "Al-Sufahaa", Anger Boys have also participated in a number of Documentary films. movies and theatrical productions. Today, ANGER BOYS is one of the well-knows arab rap bands in Palestine, and is still ascending the ladder to the improvement of arab hip-hop and fame. The Band is also working on their first official world-wide CD which will be labeled "The Journey- Al-Mishwar" which will include a handful of songs and tastes and the local and global hot topics. Their journey, which strives to raise awareness of justice and peace, is still in its beginning."). Voir également ANGER BOYS - أبناء الغضب (http://www.facebook.com/pages/ANGER-BOYS-أبناء-الغضب/45674606769). Le groupe est formé de MC.YN=Yahya Natour, alias MC YN, Mohamed Zmiro alias Mody, Ward Taye alias DR.X, Romeo Natour alias MC.ROMEO et Dj Shahbari.

Palestine 48 (Lydda) : DAM.

Palestine 48 (Ramleh) : SAZ (Sameh "Saz" Zakout, cousin de Tamer Nafar de DAM) (ttp://www.myspace.com/alsaz) ("Sameh "SAZ" Zakout is a native of Ramle, a predominantly Palestinian Arab city within Israel, reputable for its excessive crime and poverty. Transcending the violence plaguing his people and his city, SAZ chose hip hop as a means to overcome his circumstance, stating, "If I didn't have a music career, I'd probably be in the streets selling drugs and getting shot at." A Muslim descendant of Palestinian Communists who were dispossessed from their village in 1948, SAZ was inspired to write hip hop rhymes by his third grade Arabic teacher. He began performing publicly at the age of 16 and has since become a staple of the Palestinian hip hop scene. SAZ rhymes in Arabic, Hebrew and English and is widely hailed for his beatbox technique. He has been featured in Rolling Stone and on CNN. Sameh uses rap music to deliver a message to his fellow Palestinians, to fight for their right for national identity, to remember their history and to take pride in their Palestinian nationality. His lyrics are very blunt and direct. He is influenced by the success of the African amrican rappers in America that protested about the poverty and misery of their lives in the slums. Sameh identifies with their music and their situation and is inspired by them. Sameh criticizes his Arab neighbors in Ramleh that turn to drugs and violence instead of getting an education and caring for their future. Sameh believes in his music and in his own ability to make a difference and to give hope and pride to Palestinians all over the world. The Palestinians audiences feel that finally somebody is expressing their feelings, is shouting proudly what they have wanted to say for years. Despite his young age a documentary film was made about him and his family, the film was broadcasted in more than 5 countries. Sameh has daily fights regarding his Palestinian identity, therefore his songs deal with political, social and personal issues As well Saz participated in Dam's(the first Palestinian hip hop crew) new Album Dedication that was distributed all around the world and gained a lot of Success ") ("SAZ is a native of Ramle, a predominantly Palestinian Arab city within Israel, known for its excessive crime and poverty. Transcending the violence plaguing his people and his city, SAZ chose hip hop as a means to overcome, stating, "If I didn't have music, I'd probably be in the streets selling drugs and getting shot at."SAZ was inspired to write hip hop rhymes by third grade Arabic teacher. He began performing publicly at the age of 16 and has since become a prominent figure in the Palestinian hip hop scene. SAZ rhymes in Arabic/English and is widely hailed for his beatbox technique. He has been featured in Rolling Stone Magazine and CNN, as well as countless hip  hop media such Afripop and BPM. After touring relentlessly- performing throughout Europe, the United States, and across Palestine and Israel, critics and music fans are taking notice- SAZ uses rap music to deliver a message to his fellow Palestinians, to fight for their right for national identity, to remember their history and to take pride in their Palestinian nationality. SAZ also sees his music as a powerful tool for building bridges between people and fighting ignorance and apathy across the entire world. SAZ also knows that one of his greatest opportunities to help his people is to be an ambassador to the rest of the world. He abhors racism in all its forms and knows that change must be built from the grassroots, where people come together and see each other as equals. SAZ lyrics are self-reflective, honest and direct. SAZ criticizes his Arab neighbors in Ramle that turn to drugs and violence instead of pursuing an education and a better future. He believes music is his weapon for making a difference and giving pride to Palestinians and hope to all people around the world. Palestinians audiences feel that finally someone is expressing their feelings, shouting proudly what they have wanted to say for years.  The documentary film, "SAZ - The Palestinian Rapper for Change, " was released in Palestine in 2004 and has been broadcasted since in a dozen different countries in North and South America, Europe on the Middle East.  Since 2007, copies of this movie are being sold in the U.S., achieving notable attention from the media") est constitué des initiales de ses 3 membres, Mahmoud, Wassim, and Richard. Le groupe mêle arabe et hébreu et, engagé dans la mobilisation pour la paix, collabore avec les groupes rap juifs israéliens comme Sagol 59 et HaDag Nachash16. Cf. le film "Saz: The Palestinian Rapper for Change" (2006) (http://www.nationalfilmnetwork.com/store/ProductDetails.aspx?ProductID=512), réalisé par Gil Karni et produit par Yosi Mulla, Gil Karni & Meni Elias. Voir l'émission d'Arte Backstage diffusée le 8 mai 2007 consacrée au "Rap israelo arabe" (http://www.arte.tv/fr/Backstage---Rap-israelo-arabe/1561462.html). Selon Shinkicker (29 janvier 2018) qui le classe parmi les 15 meilleurs artistes palestiniens de hip-hop, "Sameh "SAZ" Zakout is from Ramle in Israel. He was inspired to write hip-hop rhymes by one of his teachers. At the tender age of 16 he started to do live shows and began his rise to prominence in the scene. He sings in Arabic, Hebrew and English and is noted for his skillful beatbox style. He also sees his music as a powerful tool for building bridges between people and fighting ignorance and apathy across the entire world. He has broken into the international scene with features in 'Rolling Stone' magazine and 'CNN' and has also performed in the USA and Europe, even appearing live in 2014 at the prestigious Glastonbury Music Festival in the UK. SAZ chose hip-hop as a means to overcome the divisions between people and to deliver a message of unity and love between people. Best tunes are "EPK," "hip-hop," "Yuma (with Shadia Mansour), and "Beginning"."

Exil

Syrie (Camp de Yarmouk) : Refugees Of Rap لاجئي الراب (http://www.myspace.com/refugeesofrap) ("Refugees Of Rap (Laj2e al-Rap), one of the first rap groups in Syria, is made up of 4 guys living in the camp [al-mukhayam] inside of Damascus. Yaser Jamus and his brother Muhammad hail from Palestine, Ahmad is from Algeria, while Muhammad Jawad are Syrians. Despite their different backgrounds, they all felt rap music when they first heard it and it brought them together to express their own ideas through rap. Their songs talk about Palestine, Damascus, poverty, the new generation, what it's like to live in the camp, and the situation of refugees living outside of Palestine. They want to send their message to everyone, not just to young people – a difficult job in Syria, where people don't understand rap very well. Laj2e al-Rap are working on their own to change people's ideas about rap, while supporting themselves despite not having a lot of money. Although they occasionally sing in English, their focus is on bringing Arabic rap to the rest of the world. Since the group started together in 2006, the guys have released an underground album and performed in concerts all around Damascus: they've performed at clubs (Caesar's, Jet Set, Sarai), Al-Jalaa' Stadium, the Arab European University, and at Arab and Palestinian cultural centers. They've also been featured in the media: the Al-An satellite channel, Syria Channel, BBC World, Turkey Tv. the Melody FM radio, the newspaper around syria and turkey. Influences : 2Pac Tech N9ne mc hammer Islam Society Nage El Ale G..asan Kanfane Tawfeq Zeyad Malcom X Marsel Khalefa Fayroz, Majda El Rome El Shekh Emam The Notorious BIG Gorge Habsh Edward Said Nas Krs One"). Voir également Refugees Of Rap {لاجئي الراب} (http://www.reverbnation.com/refugeesofrap), Refugees Of Rap لاجئي الراب (http://www.facebook.com/RefugeeOfRap.offciel), le compte Twitter لاجئي الراب (http://twitter.com/#!/refugeesofrap) et la chaîne Refugees Of Rap (http://www.youtube.com/user/RefugeesOfRap/). Refugees Of Rap est constitué de Yaser jamous ياسر جاموس (http://www.myspace.com/yaserjamous), Mohamed Jamous (لاجئي الراب) (http://www.facebook.com/jamess963) alias James, Mhd Jawad et Ahmad Zarouk alias Five.

Liban (Camp de Nahr el-Bared) : Farhan Abu Siyam (فرحان ابو صيام) aka MC Tamarrod (إم سي تمرد) (MC Rébellion) ne semble pas disposer de site propre. On trouvera certains de ses tubes sur YouTube, comme "Nahr al-Bared Camp: Rapping Against Post-War Misery" (http://www.youtube.com/watch?v=j9uCX6XeS3c). Lire Ray Smith, "A voice of frustration and hope in Nahr al-Bared", Electronic Intifada, 30 décembre 2009 (http://electronicintifada.net/content/voice-frustration-and-hope-nahr-al-bared/8599).

Liban (Camp de Bourj el-Barajneh) : I-Voice (http://www.myspace.com/theivoicee) ("Invincible voice (I-Voice) started rapping in 2001, and is today a revolutionary group that cannot stop telling the truth. I-Voice members perform their very own genre, Trap (Tarab Rap), Tarab being the classical music genre of the Arab culture. Trap integrates Tarab into hip-hop through instrumentation and choice of beats, thereby creating an original output that naturally reflects the combination of I-Voice's surrounding culture and their modern frustration. I-Voice consists of two Palestinian rappers living as refugees in Lebanon: Yassine aka YEAH-SEEN and Mohammad Turk aka T.N.T. Their refugee camp in Lebanon is Burj Al Barajneh Camp, which resides only 91 Km north of their unreachable homeland. It all started when Yassine decided to build a "camp record studio" in an old space, and considered it his headquarters for learning and teaching sound, recording, beat-making, and mixing along with interested residents of the refugee camp. I-Voice are now a widely spreading crew, who toured to tell their story through Lebanon, Egypt, Spain, Italy, Belgium, Norway, Canada and USA"). Le groupe bénéficie d'un site propre, "♫♪♫♫♪♫ I-VOICE The Palestinian Hip Hop Band ♫♪♫♫♪♫" (http://i-voiceonline.com/) ("Invincible Voice aka I-Voice is a Palestinian rap group from Bourj Al Barajneh camp, west Beirut/Lebanon. The band consists of Yaseen and Mohammad aka TNT along with their big family surrounding them.  Yaseen and TNT started their journey into rap music in 2004, where they worked separately and formed I-voice in 2006. I-voice has played in Egypt and some European countries; they were also involved in many activities and workshops in Palestinian refugee camps in Lebanon as well as different concerts within the country. In 2007 I-voice decided to build a recording studio in Bourj Al Barajneh refugee camp where it was considered the headquarters for learning and teaching music productions. The studio made it easier for I-voice to learn new techniques that helped them improve themselves; it also helped them teach music to young adults that are interested from Bourj Al Barajneh and other refugee camps in Lebanon. Yaseen's experience involves a lot of music/audio productions as well as sound engineering and project co-ordinations. He worked as Sound Trainer at Arab Digital Expression Foundation in Egypt and contributed as Projct Coordinator with Studio Camps produced number of experimental films. Throughout moments of struggle and joy, Yaseen and TNT wrote about the soul of the camps and their life within them, they worked on numerous songs and released  “Greetings/Ta7iyati” Mixtape.   In 2010, Yaseen moved to Canada in order to continue his education in Audio Engineering & Recording Arts, where he is also working on developing his skills in beat production. Yaseen has released his solo mixtape in 2011 under the name of "Stateless". TNT has moved to Europe with the hopes of better future for his life and career. Both members of I-voice are working extremely hard on enhancing their skills, talent, and education to provide their country and fans with their best abilities. Despite the distance that separates the band members, they are still as close as ever and will be releasing some new tracks in the near future. Keep checking our website for more updates on I-voice and their work.") Voir également le groupe Facebook "The Invincible Voice (I-VOICE) A Palestinian Rap Group صوت لا يقهر" (http://www.facebook.com/groups/12209941429/). I-Voice est constitué de YaSin I-voice Qasem (يس) (http://www.facebook.com/yeahseen) et de Mohamad I-voice Turk (محمد) (http://www.facebook.com/mohamadivoice.turk) alias TNT. Lire Rasmus Bogeskov Larsen, "In Lebanon refugee camp, "hip-hop is a school", Electronic Intifada, 15 janvier 2010 (http://electronicintifada.net/content/lebanon-refugee-camp-hip-hop-school/8626).

Liban (Camp de Bourj al-Barajneh) : Katibe5 (http://www.myspace.com/katibe5palestine) ("C4 MC MOLOTOV MOSCOU JAZZAR BOUBOU a palestinian rap band, of five members where live and born in the palestinian camps in lebanon... singing there problems 3ala taree2et el rap..... just amazing band yaba.") (كتيبة خمسة) pratique le rap et les graffiti. Comme son nom l'indique, le groupe est composé de 5 rappeurs, réfugiés du camp de Bourj al-Barajneh, Amro alias C4, Yousri alias Molotov, Nader alias Moscou, Tarek alias Jazzar et Boubou Samir (moitié Libanais, moitié de Sierra Leon, le seul non-palestinien du groupe) (مولوتوف؛ شاهد عيان، عبد الجبار، أسلوب وجزار). Voir également, Katibeh Khamseh (http://www.facebook.com/profile.php?id=100000310003388) et Katibeh 5 - كتيبة خمسة- فرقة الراب الفلسطينية (http://www.facebook.com/groups/138980699541/). Selon katibe 5 كتيبه (http://www.myspace.com/katibe5) (2009-2012), le groupe est constitué de Osloob - أسلوب (http://www.facebook.com/pages/Osloob-أسلوب/185787388145564), Jazzar, Shahed Aayan, Molotov et Abdeljabbar (سى4 (اسلوب)، جزار، مولوتوف، شاهد عيان، عبدالجبار). Lire Rasmus Bogeskov Larsen, "In Lebanon refugee camp, "hip-hop is a school", Electronic Intifada, 15 janvier 2010 (http://electronicintifada.net/content/lebanon-refugee-camp-hip-hop-school/8626). En 2014, Osloob s'installe en France et travaille avec la flûtiste franco-syrienne Naïssam Jalâl avec laquelle ils forme le groupe al Akhareen (http://tournsol.net/artist/al-akhareen/).

Liban (Saïda) : h2Z rap (http://www.h2zrap.com/) ("h2Z, a palestinian arab rapper/producer living in lebanon, he's an underground rapper with alot to offer. h2Z is a one man show, he takes care of everything, the writting, the beat making, the recording and mastering, and finally the distribution and selling, in short, he has no support except for his fans and friends. h2Z was born in Kuwait in 1986 where he lived for four years, but due to the gulf war, his family had to move to Lebanon where he lived for the most part of his life. Inspired by the tragic events in his homeland palestine and elsewhere in the world, h2Z adopted rap music as a way to araise against injustice suffered by his people and to deliver a humanitarian message through his music to anyone who supports the Palestinian cause. h2Z's career began in 2004 when he was introduced to the production business by the profilic egyptian rapper Seen, and soon he started producing his own tracks as he established his own local lable which he called Evolution Productions, and produced many tracks for himself and other musicians in Lebanon. In 2008, h2Z released his first arab rap album titled "3aed" Which contained 17 tracks, and featured many Palestinian and Arab artists including Re2bal and Amal Kaawash. The political inlfuence was heavely noticed throughout the album and was generall well received. The Album also featured the hit single "Ana Falastini" As the result of the increased media attention in the phenomenon of Arabic rap, h2Z appeared in several documentaries that discussed the spread of HipHop in the Middle East, most notebly by Sky Italia and Al Jazeera News Channel"), h2Z AKA The Wizard (http://www.myspace.com/h2zrap) et h2Z Rap (@h2Zrap). Voir également h2Z (http://www.facebook.com/h2Zrap) ("h2Z is one of the few underground rappers in the Middle East. Inspired by the tragic events in his motherland, Palestine, and elsewhere, h2Z started rapping in the eleventh grade. In the year 2004 he was introduced to the art of beat making by the Egyptian rapper Seen. Hence, h2Z got into the production business and started to produce beats alongside with rapping. And it made complete sense to him at the time that he should combine his beats and witty lyrics to produce what he likes most…real rap. This chain of events resulted in the h2Z we know today"). h2Z (http://www.soundclick.com/bands/default.cfm?bandID=401866) ("well i started rapping since the 11th grade, yea i remember how wack i was, but as the years passed i started learning new things and my skillz improved alot, still i dont think that im at the top of my game, or anywhere near the level im aiming at. ill learn and improve. i remember that when i started rapping i didnt know what to talk about, i was lacking the material. the rap i heard at that time was either about the hardship of life or about thugs and their bi***es. well i aint really poor and i hate to exadurate my life style so i was stuck with blank papers all the time. as i grew up, the scope of my thoughts increased, i started caring about new stuff and i realized how can i use rap to express how i feel about these stuff. im a palestinian refugee living in lebanon, my land is taken and my people are being oppressed everyday. sometmes i feel like killing some israels over the sh*** i saw on the news, but well, there aint no israelis around here. rap was my only outlet, all these thoughts were trasformed into lines and flows, and my frustrations gave me the spark i need to fill the pages with ink. rap is my only outlet, thats why i rap."). De son vrai nom Hany Hazzoury (http://www.facebook.com/hazzoury).

Liban (Nabatieh) - Paris : Rayess Bek (http://rayessbek.com/) ("Wael, auteur, compositeur et  interprète libanais, s’est révélé comme le  représentant majeur des mouvements rap et slam au Proche-Orient. Après avoir  fondé le groupe Aks’ser (Sens interdit / A  contre courant) en 1997, il débute une carrière en solo sous le nom de Rayess Bek en 2002. A 31 ans, Rayess_Bek partage sa vie entre  Paris et Beyrouth. Il a connu deux guerres tragiques qui marquent nécessairement son écriture. Ses propos cinglants, acérés, ciselés et engagés, qu’ils soient en français et/ou en arabe, parlent bien évidemment du Liban, de ses crises et de son énergie, d’une jeunesse pleine d’envie déçue par le pouvoir politique, de sujets de société qui se comprennent des faubourgs de Beyrouth aux abords du « périph’ parisien ». Il parle résolument de la guerre, des combats et de la situation internationale. Son univers polymorphe, teinté avec finesse d’une forme atypique de hip hop et de slam, fait se rencontrer mots arabes et français, beats orientaux et instruments traditionnels comme le oud et le nay. Après s’être nourri de belles et récentes collaborations avec des artistes comme RZA, Nile Rogers, Amazigh Kateb et Ministère des Affaires Populaires (MAP), Rayess_Bek s’est entouré d’une nouvelle formation Rayess Bek Orchestra (oud, flûte traversière/nay, basse/contrebasse) qui prend les tonalités d’une fusion électroacoustique pour donner corps à ses nouvelles compositions et réarranger certains  titres. Ce nouveau projet est soutenu par ARCADI et Canal 93. En 2003, Rayess_Bek sort son premier album solo, 3am behkeh bil sokout (Parler dans le  silence), sur un label indépendant, suivi en 2005 par Nuit gravement à la santé. On peut  retrouver quelques-uns de ses titres sur des compilations internationales, comme Guerriers pacifistes. En mars 2006, il écrit et arrange un morceau pour l’Organisation des Nations Unies (ONU). Ekhtilef Tabiyeh (La différence est normale), en faveur de l’acceptation du handicap, est  diffusé sur les chaînes de la zone Afrique du Nord et du Moyen-Orient (plus de 20 pays  touchés) pendant plusieurs mois. Il collabore également sur la bande son de longs métrages libanais. A l’automne 2006, Rayess Bek participe à une résidence à Los Angeles conçue par Miles Copeland, producteur notamment de Sting, Lou Reed, Tina Turner et suivie par la chaîne culturelle PBS. Il collabore sur 2 titres avec Nile Rogers, leader du groupe CHIC, compositeur  et guitariste de David Bowie, Peter Gabriel, Madonna ou encore Eric Clapton ; avec le rappeur mexicain Malverde ; avec RZA de Wu Tang Clan, groupe phare du hip hop underground ; avec le rockeur engagé Shavo et aussi avec le compositeur de musiques de films Steven Last pour  Bagdad Burning. Pour clore cette résidence, Rayess Bek donne un concert au Roxy Theater, scène emblématique de Los Angeles. De retour des Etats-Unis, il débute une résidence d’écriture et de création à Roubaix avec Amazigh Kateb, leader du groupe Gnawa Diffusion, et le Ministère des Affaires  Populaires. En 2007, après le succès d’Ekhtilef Tabiyeh (La différence est normale), l’ONU demande cette fois à Rayess Bek d’écrire un morceau contre le trafic d’armes dans le monde. Il choisit de collaborer avec Frank Fitzpatrick, le compositeur du film « Friday » interprété par le célèbre rappeur américain Ice Cube.  « Just Like You» sera un subtile mélange d’Arabe et d’Anglais. En 2008, Rayess Bek compose la musique d’ « Instant de chute», une performance multidisciplinaire qui mêle danse, son et image, mise en scène pas Nancy Naous. Mêlé au public, Rayess Bek manipule des sons en temps réel, à partir de ses propres compositions et en interaction avec les danseurs. En 2009, Rayess Bek est sélectionné pour le Grand Zebrock, tremplin musical en Ile-de-France. Son groupe, Rayess Bek Orchestra, finira parmi les 3 finalistes sur 350 groupes sélectionnés. De 2010 à 2011 Rayess Bek compose l’intégralité de la bande sonore de « Shankaboot » (www.shankaboot.com), première web-série du monde arabe, produite par la BBC (Londres) et Batoota Film qui remporte le premier prix dans la catégorie « programme digital : fiction » aux Emmy Awards en 2011. En 2010, Rayess Bek participe aussi à l’organisation d’une marche pour la laïcité au Liban, un sujet central de son œuvre et qui lui tient particulièrement à cœur dans un pays ravagé par les clivages religieux. Il compose et interprète le Jingle de cette marche. Le 25 avril 2010, plusieurs milliers de personnes défileront de manière pacifiste dans les rues de Beyrouth. Une nouvelle « Laïque Pride » se tiendra à Beyrouth le 17 avril 2011. Jouant la carte des rencontres entre musiciens français et artistes venus d’autres horizons, le festival Marsatac fait appel à Rodolphe Burger, leader du groupe Kat Onoma dans les années 90s et complice d’Alain Bashung, Frédéric Nevchehirlian, Ziad Saad, Rayess Bek, Fadi Tabbal, Julien Perraudeau, Youmna Saba et Abed Kobeissy pour créer le collectif Mix Up Beyrouth. Après s’être produit sur plusieurs scènes nationales, le collectif a pour objectif l’enregistrement d’un album qui paraîtra en 2012 sous le label Harmonia Mundi / Acte Sud. Fin 2010, Dash Art, association d’art contemporain basée à Londres, fait appel à Rayess Bek pour deux résidences d’écriture autour des Mou’allaqāts, ensemble de poèmes pré-islamiques qui ont servi de modèles aux poètes arabes pendant près d’un millénaire et demi. Rayess Bek s’associe donc à quatre autre rappeurs du Moyen-Orient, dont Tamer Nafar du groupe palestinien DAM et Rabbah du groupe Algérien MBS. Les résidences se terminent par un concert à Londres, au célèbre Roundhouse, avec la participation du rappeur new-yorkais Talib Kweli. Cette même année, Rayess Bek sort l’album du groupe Rayess Bek Orchestra, accompagné au Nay et à la flûte traversière par Naissam Jalal, avec Yann Pitard au oud, Yves Bittar à la basse et Manu Sauvage aux machines. « Khartech Aa Zaman/L’homme de gauche » est un album à deux volets qui reflète sa double culture : 8 chansons en arabe, 7 chansons en français. D’un côté Rayess Bek critique les travers de la société libanaise, de l’autre les clichés occidentaux sur le monde arabe. En 2011 Rodolphe Burger invite Rayess Bek à participer au projet « Cantique des Cantiques, Hommage à Mahmoud Darwich ». A travers le chant et la musique, Rodolphe Burger fait s’enchevêtrer la poésie contemporaine de Darwich et celle sacrée de l’Ancien Testament. Rayess Bek est un artiste phare au Liban. Il s’est produit sur les scènes du monde entier : Moyen-Orient (Liban, Syrie, Jordanie, Émirats arabes unis, Qatar), Europe (France, Allemagne, Suisse) et Etats-Unis. Avec plus de 200 concerts, il s’est révélé dans des shows  en solo, des plateaux partagés de festivals, des espaces intimistes ou encore dans la démesure de Palais des congrès, en première partie de Missy Elliott ou de Busta Rhymes), de son vrai nom Wâ'il Qdayh, est libanais et se revendique comme tel mais sa grand-mère paternelle était une réfugiée de Galilée et la Palestine constitue une part de son imaginaire. Il est présent sur Facebook, "Rayess Bek (ريس بيك)" (http://www.facebook.com/rayess.bek.official) et sur MySpace, "Rayess_Bek" (http://www.myspace.com/rayessbek).

Émirats arabes unis : selon Da ALCz (https://www.youtube.com/user/ALCzHouse/), une chaîne créée en 2011, "Da ALCz it means (The AL-Ain City Thugz) founded in United Arab Emirates in Abu Dhabi City/Al Ain area it was established by MC-SyndRoM since 2007 it was about a group of rappers and has now turned into an organization and studio recordings under the leadership of OrTeGa. This channel aimed at the protection of the Arab culture and its development through Rap, Rock, R&B..etc. However in most of our songs we fights for the freedom of Arab nation. Our goal, Yes to freedom of opinion and expression in music." Da ALC'z (https://www.facebook.com/ICTain/) est également sur Facebook, sur Twitter depuis 2011 DaALCz House Records (https://twitter.com/Da_ALCz), sur Reverbnation Da ALC'z (https://www.reverbnation.com/daalcz), sur SoundCloud Da ALC'z (https://soundcloud.com/daalcz). Syndrom - سايندروم (https://www.facebook.com/syndromDaAlcz) est sur Facebook depuis 2004, sur Twitter depuis 2013 ICT SyndRoM ذَ (https://twitter.com/Its_Me_SyndRoM), sur MySpace MC-SyndRoM (https://myspace.com/syndromalcthugz). OrTeGa Da ALC'z (https://www.facebook.com/alhassanortega/) est sur Facebook depuis 2005 avec un autre compte AL Hassan Ortega (https://www.facebook.com/alhassanorte) ; on le trouve également sur Instagram alhassanortega (https://www.instagram.com/Alhassanortega/) et sur SoundCloud OrTeGa (https://soundcloud.com/mcortega), compte selon lequel "My name is AL Hassan Yousef. I came from the holy land Palestine. I was born on the 17th of June of 1992. Born in United Arab Emirates. Rapper, Singer, Producer, And Writer. I started singing on 2005/2006. My songs are different and it will let you know more about me, I made albums also. some of my songs are about life. However in most of my songs I fight for the freedom of Arab nation. So this is my official page about me. God bless you.", sur Twitter depuis 2011 OrTeGa (https://twitter.com/alhassanortega) et sur MySpace OrTeGa (https://myspace.com/alhassanortega). Shinkicker (29 janvier 2018) le classe parmi les 15 meilleurs artistes palestiniens de hip-hop.

Qatar : MaJzarah..Massacre (http://www.myspace.com/majzarah) ("MaJzarah “ Massacre “ inspired by his patriarchy for his homeland Palestine, became increasingly frustrated by the Palestinian situation and was deeply affected by the Intifada. He found a way to channel his passion and anger through music. In year 2004 MaJzarah started to express his feelings through lyrics which led him to be officially known between the members of the Arabic Hiphop rappers, which then led him to meet different producers and record music. Majzarah is planing for more..! His first official album " Sajeen " which contains 9 tracks will be out soon this year " 2010 ". Influences : The State Of Palestine, Intifada 1-2, Yasser Arafat once said, "In order to obtain the goal of returning to Palestine, all of us sometimes have to grit our teeth."."). Majzara (مجزرة) est l'alias de "Fouad Abdulhadi (MaJzarah)" (http://www.facebook.com/fouad.abdulhadi) (فؤاد عبد الهاي) qui réside à Qatar. Voir également Majzarah (http://www.reverbnation.com/majzarah), Massacre مجزره (http://www.facebook.com/MaJzarah), Majzarah (http://soundcloud.com/majzarah) et Fouad Abdulhadi (http://twitter.com/#!/majzarah). Il participe au groupe Egtya7.

Tunisie (originaire de Gaza) : PalesTianO (http://www.facebook.com/pages/PalesTianO/173313039359965). Lire .

Allemagne (originaire de Naplouse) : Shomar (http://www.reverbnation.com/shomar) ("Morad Shomar, in Germany living son of Palestinian immigrants, writes recollection songs. Of the Palestinian liberation movement prescribed, he documents certain dramatic events about his homeland with a song. Besides, he helps himself to a specially developed linguistic singing on Arab, deduces with a new style of emotional music, accompanies with modern Beats, eastern complex tonal sounds and lyric texts."). Voir aussi Shomar (http://www.facebook.com/pages/Shomar/216064645078839).

Canada (Ottawa) : Belly (http://www.maplemusic.com/artists/bel/default.asp) possède un Belly Official site (http://www.bellylive.com/) ; il est sur Facebook Belly (https://www.facebook.com/bellyisdead/), Instagram Belly (https://www.instagram.com/belly/), SoudCoud Belly Is Dead (https://soundcloud.com/bellyisdead), Spotify Belly (https://open.spotify.com/artist/0FOWNUFHPnMy0vOw1siGqi), Twitter Belly (https://twitter.com/reBELLYus) et YouTube BellyVEVO. Selon Shinkicker (29 janvier 2018) qui le classe parmi les 15 meilleurs artistes palestiniens de hip-hop, "Ahmad Balshe was born in 1984 in Jenin in the Occupied Territories. He is a Palestinian-Canadian artist and producer. He took the stage name Belly, short for "rebellious." Although born in Palestine, he grew up in Ottawa. His musical career began in the club scene and since then he has won many awards and top chart positions. Protest songs include "History of Violence," "Follow Me," and "Revolutionary" in his back catalogue. Belly has also collaborated with Snoop Dog on the track "I Drink I Smoke'" and with The Weeknd on "Might Not." No stranger to controversy, in an infamous event in 2008 his home and recording studio was raided by Ottawa Police causing over $30,000 in damage. Then in 2016 he cancelled a TV appearance on the Jimmy Kimmel Show in protest at the presence of Donald Trump.

Danemark (Aarhus) : Mohamed Marwan (محمد مروان), aujourd'hui connu comme Marwan (http://marwan.dk/), est un rappeur palestino-danois. Son premier nom de scène a été SLP (Statsløs Palæstinenser, c'est à dire Palestinien sans Etat). Il travaille pour le label Pimp-A-Lot (محمد مروان), "MARWAN FROM PIMP-A-LOT CREW" (http://www.myspace.com/marwanpimpalot).

Grande-Bretagne : SHADIA MANSOUR (Official Site) (http://www.myspace.com/shadiamusic). Sa page Shadia Mansour (http://www.facebook.com/pages/Shadia-Mansour/35106008298) la qualifie de "FIRST LADY OF ARABIC HIP HOP" ("She is as authentic as the heavily-embroidered thawb she wears whilst performing live... British Born Palestinian Shadia Mansour, has independently become one of the leading female Arabian MC's worldwide. Her natural, flawless ability to switch between rapping and singing is rapidly becoming a cultural phenomenon. Shadia delivers her taunting voice, both mournful and mesmerizing, over Arabic Phrases of loss, longing, struggle and life. Shadia Mansour started singing at the tender age of 5 years old by appearing on various Arabic, British, American TV and radio shows. She is currently working on her highly anticipated album (yet to be titled) featuring many of the top producers of the industry. Shadia has opened up for Busta Rhymes and Mobb Deep at the Palladium Club in New Rochelle, NY. Last summer Shadia toured US and received a tremendous welcome in Chicago, Milwaukee and San Francisco. Shadia also took part in the Annual Pre Black August Concert in NYC with DJ Johnny Juice (Public Enemy) alongside her giving her performance an authentic New York touch. In May of this year Shadia was invited to take part in 'Symphony Arabica' and performed in a 4 city tour (all of which – sold out) with an orchestra of 200 people and a children’s choir of 50. Shadia opened this years Annual Black August Benefit for Political Prisoners alongside major hip hop legends such as Q-Tip, EPMD, Bilal, Blackmoon, Smif N Wessun and Immortal Technique. Shadia also headlined the Arab World Fest in Milwaukee which was a huge success. Shadia Mansour is also featured in the AAlikes documentary coming out this month titled “The Ballot or the Bullet”.) Voir aussi Shadia Mansour (http://twitter.com/#!/ShadiaMansour). Shinkicker (29 janvier 2018) la classe parmi les 15 meilleurs artistes palestiniens de hip-hop. Selon Laborio Sociale, "Il Rap palestinese – Intifada in musica", 24 mars 2010, "Shadia Mansour, conosciuta anche come la first lady dell’hip hop arabo, è una cantante anglo-palestinese. Mansour ha iniziato a cantare all’età di cinque anni ed è apparsa in varie serie tv arabe, americane  e inglesi. È diventata una delle principali MC femminili arabe, riconosciuta in tutto il mondo. È apparsa come ospite in brani di The X-vandali, DAM (gruppo palestinese rap), Olkinary (rapper francese) e molti altri. Mansour ha aperto per Busta Rhymes e Mobb Deep presso il Club Palladium di New Rochelle e il suo tour negli Usa ha ricevuto una calorosa accoglienza a Chicago, Milwaukee, San Francisco e Los Angeles. Mansour ha anche preso parte a the Annual Pre Black August Concert a New York con DJ Juice Johnny (Public Enemy). Particolarmente fortunato è stato il suo tour olandese, sold out in tutte le quattro date, nel quale si è esibita insieme a un’orchestra di 200 persone e a un coro di 50 bambini. Nel 2009 ha aperto the Annual Black August Benefit per i prigionieri politici hip hop, accanto a grandi leggende come Q-Tip, EPMD, Bilal, Blackmoon, Smif N Wessun e Immortal Technique. In seguito al successo olandese le è stato chiesto di ritornare nei Paesi Bassi per il Gala dinner all’inizio di novembre."

Etats-Unis (Denver) : Seif (https://soundcloud.com/seifmusic) ("Palestinian lawyer and hip-hop artist. Shaped by the sounds of my youth and the places I've lived: Saudi Arabia, Boston, Baltimore, Washington DC, Houston, and Denver."), seifonsour (https://www.instagram.com/seifonsour/). Lire Riley Cowing, "Seif Ammus Is a Rapper, a Lawyer and a Palestinian-Rights Activist", Westword, 20 décembre 2017.

Etats-unis (Michigan) : Iron Sheikh (http://www.myspace.com/yetweremain) comme le site http://www.ironsheik.biz/ n'étaient pas accessibles début 2012. Voir l'article le concernant sur Rap wiki (http://rap.wikia.com/wiki/Iron_Sheik). De son vrai nom Will Youmans, il appartient à une famille originaire de Nazareth. Selon Shinkicker (29 janvier 2018) qui le classe parmi les 15 meilleurs artistes palestiniens de hip-hop, "Born in 1978 Will Youmans, is a Palestinian/American writer from Michigan and activist and has performed as a hip-hop artist under the stage name "Iron Sheik." Between 2000 and 2006 he released two albums, "Camel Clutch" and "Yet We Remain."A part of the growing Palestinian hip hop movement, much of his music is related to the historical plight of Palestinians. Inspired by artists such as Public Enemy and KRS-One amongst others, Iron Sheik has featured on the BBC, CNN and The New York Times. He has performed regularly at venues throughout the USA and the UK and places such as Egypt and Lebanon. Look up the songs "Ambition," "Chronicles," and "Ascension"."

Etats-unis (New-York) : Suheir Hammad (http://www.suheirhammad.com/) ("Suheir Hammad is a Palestinian-American poet, author and political activist who was born on October 1973 in Amman, Jordan to Palestinian refugee parents and immigrated with her family to Brooklyn, New York City when she was five years old. Her parents later moved to Staten Island.") Lire l'interview par Marcy Newman, MELUS, 31/4, hiver 2006 (http://bhs.academia.edu/MarcyNewman/Papers/214437/Interview_with_Suheir_Hammad).

Etats-unis (New York) : Gaza-NY (http://www.gaza-ny.com/) a été fondé à New-York en 1999 par Jawad Saleh. Voir également BigSam Sale' (http://www.facebook.com/profile.php?id=614744876), GaZa_NY (http://twitter.com/#!/GaZa_NY) et BiG SaM (http://twitter.com/#!/@BiG_SaM718). GaZa-NY (http://www.facebook.com/GaZaNYMusic) ("In a world full of diversity, rapper GaZa-Ny emerged in 1999 as one of the most controversial rappers to ever grace this genre. GaZa-NY expressed an outspoken, self empowered swagger that rallied the streets of his city and elsewhere. Using his biting wit and incredible skills to vent on everything from childhood experiences in the middle east to the cold streets of brookyn new york, his success was stunted by an FBI investigation in 2001 (confiscated his masters accusing him of creating music which can cause an uprising of young arab americans). The controversy over his lyrics was the best publicity any musician could afford, and being the first palestinian rapper to make a significant impact in years may have given him a platform not afforded to equally talented African American rappers. Such headline worthy drama informed GaZa-NY’s provocative rhymes, which he delivered with both masterful flow and a wise perspective over breathtaking beats produced by “The Bellringers” (formally with murder inc., produced a number of hits, a few being “put it on me” by Ja Rule and “its so hard” by the late “Big Pun”) and “Young Gav” (brother of hit female rap star “Foxy Brown” and producer of hit singles like “Hate me now” by Nas). GaZa-NY likewise collaborated with big named artists to work on releasing an album. He even linked up with artists such as Wyclef Jean, Mos def and Beanie Sigel. In the end, GaZa observed and decided to work on an album alone and used these influences to help create his own project. Born Jawad Saleh, second of four boys, GaZa-NY excelled in school with honors and achieved a Doctorate degree at the age of 22. He grew up on the streets of downtown Brooklyn, home of Biggie and Jay-Z in a predominantly middle eastern neighborhood on Atlantic Ave and Court St, also known as “Little Arabia”. Despite his lifestyle, GaZa developed a high degree of literacy that would later characterize his rhymes. At the same time, though, he delved into street culture and flirted with danger on occasional trips to the middle east, such experiences similarly characterizing his rhymes. A mix tape was released in 2002, sold out of the trunk of cars and apartments it formed quite a buzz amongst his peers. T-shirts were sold by the thousands and GaZa-Ny was becoming a name not to be reckoned with. GaZa-NY continually matured as an artist, evolving from a young street disciple to a vain all knowing sage to a humble patriarch.His style was noted to have the depth of nas, strength of tupac and controversy of eminem. GaZa’s diversity was proven in his songs, going from a heart throbbing female tale like “Why I cry” to video and dance club record “World Party” he paints a perfect picture of his effort to touch a part of everyone’s experience. In all the controversy surrounding GaZa’s lyrical content, they wrote two articles in the “Source’ magazine on his music and he made the centerfold of “The Spin” in the December issue of 2001. On December of 2005, GaZa-NY’s success began when he met up with middle east’s “Signature Productions” CEO and cofounder Nabil Joseph Issa. Nabil was working on an independent documentary of middle eastern artists affected by the world trade crisis when he came upon GaZa-NY’s name from New York’s DJ Stretch Armstrong. They arranged a sit down in a diner on the upper east side in NYC and that is when GaZa was asked to rap by Nabil. GaZa hit him with a breathtaking 16 bars and the rest was history. A few months later Nabil’s Team flew GaZa-NY out to Lebanon where he worked with pop star Ramy Ayash and mega hit producer Jean Marie Riachi. Amid all the drama, GaZa managed to salvage his esteemed reputation and reclaim his position on the New York scene. In 2011, GaZa and his brother decided to take matters into there own hands and partnered up to launch independent record label Floose Entertainment. GaZa has also recently re-released his controversial mixtape “Trapped in 2 Worlds” for free to more than 100, 000 fans on face book and plans to release his debut mixtape “America’s Nightmare” early 2012. He also completed a powerful song with Egyptian pop star Lara Scandar dedicated to the courageous egyptian people of the historic revolution. This record was also produced by Jean Marie Riachi., which is set to be released later this year. The brooklyn born Palestinian artist is something totally out of the norm. I guarantee he will be a powerful force in days to come.")

Etats-Unis (New-York) : Hammer Brothers. Selon Shinkicker (29 janvier 2018) qui le classe parmi les 15 meilleurs groupes palestiniens de hip-hop, "The Hammer Brothers were founded in the late 1990s by real brothers Mustafa and Omasik. Hailing from New York they are descendants of the Nakba refugees of 1948. Mustafa learned his trade with the hip-hop band "Dujeous'"at underground gigs in Manhattan. Omasik began with the beat production squad 'Everyday Wonders' in the Bronx several years later. They became regulars on the college circuit including holding lectures as well as gigs. The Hammer Brothers address issues of racial profiling and discrimination against Arabs in the USA while expressing solidarity with Palestinians in the Occupied Territories and also those around the world. Their most well-known song is "Free Palestine." Selon (1er janvier 2003), "Mustafa et Omasik, deux frères descendants directs par leur père de la vague de réfugiés palestiniens de 1948, commencent leur aventure dans le hiphop en 1993, d’abord chacun de leur côté, avant de former vers la fin des 90’s le groupe The Hammer Bros. .C’est en 1998 qu’ils sortent leur premier EP, « Proper Medium », puis ils écument les salles de concert ainsi que les facultés afin d’instaurer des débats que leurs origines et leur position dans la société américaine ne manquent pas de générer. Continuant sur leur lancée et forts d’une expérience acquise dans l’underground, ils sortent aujourd’hui « Free Palestine », album dont le titre à lui seul ne doit pas laisser de marbre le public américain." En 2018, je n'ai pas trouvé de présence propre sur le web.

Etats-unis (Oakland) : Tarik Kazaleh (Excentrik) (http://www.facebook.com/excentrikaz), Excentrik (http://www.myspace.com/excentrikaz), Excentrik (https://soundcloud.com/excentrik) ("Excentrik (Tarik Kazaleh) is a Palestinian-American producer, composer and MC from San Francisco, CA. Hailing from a musical family, Excentrik began playing Guitar and Arabic Tabla in 1992. He began producing Hip Hop beats in 1996 and went on to perform with some of the dopest MC’s in the Bay Area and Detroit. Furthering his passion for music, Excentrik went on to study Oud and Arabic Maqam (Modes which are the basis for Oud improvisation) and eventually studied music theory and free improvisation with Josh Allen (from the Berkeley Jazz School). This lead to the forming of The 3 Mohammads, a Free Jazz trio with Timothy Orr (of the Dave Brubek Institute and Monterrey Jazz Festival) on Drums and Percussion, Josh Allen on Tenor Saxophone and Excentrik on Oud, Tabla and Electric Guitar.  In 2003 Excentrik toured the U.S. with Iron Sheik and produced many of the tracks on his album, “Yet We Remain.” It was during that tour that Excentrik met the great composer Halim al-Debh, who’s works with Leonard Bernstein and Martha Graham are seen as some of the most important contributions to the musical avant garde, and who’s early electronic music (circa 1950′s) had a huge influence on Excentrik. In 2006 Excentrik moved to Los Angeles where he linked up with Omar Offendum (The Nomads) and Ragtop (The Philistines). He produced their single, “Hala, ” and the collective captivated audiences in Amman, Jordan alongside the Narcycist (Euphrates) and Hip Hop icon Fred Wreck. That collaborative project, Arab Summit, released it’s first record, ArabSummit: Fear of an Arab Planet which received much critical acclaim. Now back in the Bay, Excentrik is currently working towards the release of his first solo project in almost 10 years, “NowHere No Where.” selon Zatoon Records) ("Tarik Kazaleh a.k.a. Excentrik is Palestinian American MC, producer composer and multi-instrumentalist. Best known for his controversial lyrics and Oud driven beats, Excentrik is a founding member of the seminal ArabSummit project alongside Omar Offendum, the Narcicyst and Ragtop. He was also on the production team of "Free the P", an album that was recorded to raise money for the film "Slingshot Hip Hop." Recently, Excentrik's short film "Now Here Nowhere" (and the album of the same name) was featured in the 2011 Arab Film Festival. His album is available through iTunes and a store near you." selon Art with Impact). Avec Ramallah Underground, il collabore à la bande musicale de Chronicles of a Refugee, une série de documentaires produite en 2008 par Adam Shapiro, Perla Issa et Aseel Mansour. Selon Shinkicker (29 janvier 2018) qui classe Excentrik parmi les 15 meilleurs groupes palestiniens de hip-hop, "Excentrik is a Palestinian-American from San Francisco. His real name is Tarik Kazaleh. His parents were also born in the USA but his extended family come from Palestine. His songs are an eclectic mix which are laden with samples, break-beats and verses of rap. His authentic sound features much of the instrumentation typical of the Middle East such as the oud and the doumbek. More western touches of murky keyboard effects and distorted guitars give it a touch of contemporary rock. He is also a producer and has collaborated with other artists in the 'Arab Summit' musical project. Best tracks are "Dheisheh," "Go Down Standing," and "Now Here Nowhere."

Etats-unis (Tennessee) : The Philistines (http://www.myspace.com/thephilistines) ("Since 2001 the Philistines have been serving up real hip-hop for real hip-hop heads. Staying true to self and the game, representing our home (PALESTINE what) and our homes away from home (TENNESSEE big ups L.A. all day D.C. fo' sheezy). ***Members have performed around the world from Vancouver to Beirut, produced the first arab-american hip-hop joint to secure a nationwide distro deal (FREE THE P what Slingshot hip-hop's in SUNDANCE b*tches!), and generally caused a ruckus everywhere we've been. And we can't can't stop. Won't won't stop. Influences : In No Particular Order: the roots, edward said, black star, gabriel garcia marquez, common, our parents, marijuana, the intifada, lhasa, self scientific, teta, sedo, madlib, william carlos williams, layla khaled, the fugees, islam, jay-z, tennessee, big daddy kane, close friends, old teachers, eric B & rakim, Iraq, biggie, Afghanistan, malcolm x, suheir hammad, television, Palestine, Palestine, Palestine.") Le groupe est constitué de Ragtop (the Philistines) (http://www.myspace.com/mcragtop) (band leader & mic specialist) ("RAGTOP a.k.a. the Man of Tomorrow a.k.a. Top-Nizzle a.k.a. the Top Gun, b*tch the Head Honcho a.k.a. the Back-Slappa Boom-Bappa a.k.a. El Philistino Numero Uno a.k.a. the General Sir Splat Arafat's Back is Back, Sadat! a.k.a. the Falastini Mussolini so Take That! "), de Cookie Jar (http://www.myspace.com/cjpizarro) (beats & words) ("Cookie Jar = Flip = the Philippenis Americuntis = the Landlord = Princess Buttercup = Josh = Jason = Yuki Sinatra. Here are a list of my bands: the Philistines (and everyone in our hip hop crew, Rogue State: the NOMADS, Excentrik, and the Legitimates), Chibi Vision, Love Ship Deathtron for Life (lsd4life) w/Little Ice Age, Harana, and Eagle Quest.") et de DJ Cole Minor (http://www.myspace.com/djcoleminor) (beats & cuts). Voir également leur album de 2005 dédié à la Palestine, "Free the P" (http://www.freethep.com). Selon Shinkicker (29 janvier 2018) qui classe le groupe parmi les 15 meilleurs artistes palestiniens de hip-hop, "Another American band who come from Tennessee, the Philistines were formed in 2001 by rapper Ragtop (real name Nizar Wattad). They play live benefits for Palestine and other causes. The group kicked off when Palestinian/American brothers B-Dub and Ragtop released an album called 'Self Defined' in 2003. It contains 17 songs of a varied blend of musical beats and lyrics. They relocated to Los Angeles and were joined by the DJ "Afterwords" and they have gone from strength to strength ever since. Check out "Down in the South," "Invincible," and "Time." Their eclectic mix is reflected in the influences they cite which include The Roots, Marvin Gaye, Fairuz, Miles Davis, Jay-Z, Nas, Biggie, Tupac, Michael Jackson, and the Beatles."

 

| Précédente  | Suivante |  Index des rappeurs 
haut de pagePrière de citer : Jean-François Legrain, Sources et documents de l’histoire du rap à Gaza, Aix-en-Provence, IREMAM, 2019   

 

Le rap gazaoui, introduction et analyse

Les portails, radios et TV

Rappers Arab

PalRap

MMDRap

Hip Hop Gazawy Radio

Radio Gaza Rap

Radio Gaza FM

Palestine Rap

Al Rab Al Ghzawy

Project Hip Hop Palestine

Corner Prophets/Hip Hop Sulha

Les blogs

Palestine Music

Hip Hop in Medio Oriente

Revolutionary Arab Rap

Voices of Arab Dissent

LA référence palestinienne

DAM (Da Arabian MCs)

Les groupes gazaouis

PR (Palestinian Rapperz)

Scream

DA

Gazesta

RFM (Rap Fi MaDiNaTi)

DA (Dead Army)

RG Band (Revolution Guys)

PA (Palestinian Army Band) ou PAR (Palestinian Army Rappers)

Intifada

SBR (Street Band Rappers)

Kayan

Army4one

Army of Day Band, PR Palestinian Rapperz New Generation, One Blood, One Heart, Gaza Rapperz

Lost Souls (Gaza under Seige)

System Hunterz Group

DA FKR..s Band

Peace Team

DARG Team

Sky Stars Band

Soldiers Band

Next Team

Black Unit Band

MC Waleed

Black Storm Band

PMC G Pistol et Gaza Underground Music (GUM)

Palestinian Unit

Camps Breakerz Crew

Watar Band

Stop Band

Dark Times Band/MC Monem

MC Asil avec Cobra Band et United Band

Gaza Boys

Revolution Makers

Antara

Intifada Team

Almhjren Team

Dirty Gaza Rappers/Dirty Gaza Gang puis AZAG Gang de Mahmûd al-Mughrabî

Fighter Rappers

Scarf Band

Street Eye

Thowar Al-Rap/Adrenaline Band

Free Voice

Objection

Rebels Band

Street Team/Schizophrenia Team

Tofan Gaza

970 Palestinian Hip Hop Movement/MC Gaza

Stars Gaza

Gaza Pulse

Tranzit Team

Palestine Dark/Veto Band

Riots

R.T.S.

al-Amal al-Ghazzî

Palestinian Flame

Scream Team

Fire Music

Sharara Team

Sqr Gaza

MC Araby

Bani Adam

Les événements

Les fêtes de la musique

Gaza concert (novembre 2008)

HipHopKom (Ramallah, Gaza, juin 2009)

Resaletna Competition (Tromsø, Norvège, décembre 2009)

PalFest (Gaza, mai 2013)

PAM et Boombox (Bayt Sahour 2016 - )

Projet Zouqaq (Gaza, novembre 2016)

Palestine Music Expo (Ramallah, Jérusalem, Haïfa, avril 2017)

Italian Center "Vittorio Arrigoni" (Gaza , août 2017)

Les films et pièces de théâtre

"Local Angel" (2002)

"Channels of Rage" (2003)

"Boys in the Berry Tree" (2003)

"Les enfants d'Arna" (2004)

"Saz : The Palestinian Rapper for Change Lesson Plan" (2004)

"Backstage - Rap israélo-arabe" (2007)

"Slingshot Hip Hop" (2008)

"Aisheen" (Still alive in Gaza) (2009

"Check Point Rock" (2009)

"Targeted Citizen" (2010)

"Inshallah" (2010)

"From Beneath the Earth" (2017)

Les coopérations internationales

Gaza Team

Gaza meets Geneva

Social Arts Centre (SAC) et Rapolitics

Hope Spoken/Broken

International Cities of Refuge Network (ICORN)

Solidarités et rap

Free the P

Rap4justice

Liberation Hip Hop

Gaza Aid Project (GAP)

Nos voix pour la Palestine

Le rap palestinien de Cisjordanie, de Palestine 48 et de l'exil

Cisjordanie

Palestine 48

Exil

Bibliographie
© CNRS, Jean-François Legrain, AMU/IREMAM (Institut d'Etudes et de Recherches sur les Mondes Arabes et Musulmans)